Cool Identity Construction in the Context of Young Funk Music Consumers

Sara Pimenta Resende, M. R. Pinto
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Abstract

Objective: This paper reports the results of a research that aimed to understand the articulation between sociocultural practices and symbolic processes in the construction of a cool identity by young people inserted in the funk environment. Method: Fieldwork focused on participant observation at funk events and dances and in-depth interviews with 3 MCs and 26 young people. To analyze the data, the content analysis methodology proposed by Bardin (1995) was used. Results: Among the results, it is noteworthy that, because funk is part of the daily lives of young people, their diverse experiences with funk enhance the creation of a cool identity that makes these individuals find a place in this universe of signs and meanings. Originality: The article discusses the concept of cool identity in order to understand the (re)construction of the identity of a group of urban young people supported by and in consumption. 
青年放克音乐消费者语境下的酷身份建构
目的:本文报告了一项研究的结果,旨在了解社会文化实践和符号过程之间的衔接,在年轻人插入到放克环境中构建一个酷的身份。方法:实地考察,对3名主持人和26名年轻人进行深度访谈。数据分析采用Bardin(1995)提出的内容分析法。结果:值得注意的是,由于放克是年轻人日常生活的一部分,他们对放克的不同经历增强了他们对酷身份的创造,使这些人在这个符号和意义的宇宙中找到了一席之地。原创性:本文通过对酷身份概念的探讨,来理解一群被消费支撑并处于消费中的城市青年的身份建构(再建构)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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