Developing a Design Process for Cross-Media Productions in Cultural Services: A View of Value Migration

Chi-Yu Chang, Chia-Han Yang
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引用次数: 1

Abstract

This research aims to explore how the consumers verify the value of cross-media production and how the producers develop a design process through cross-media production based on the consumer's valuation. With this perspective, this research constructs a two-step research design. Firstly, a value measurement model is built for novel, musical and movie. With this model, this research uses the Analytic Hierarchy Process (AHP) and conducts an expert questionnaire survey to experiment the key value of consumers for each novel, musical and movie. The findings show the key value of these three creations and reveal that the major three gaps in value migration for consumers are sense, aesthetic, and historical value in turn for the cross-media production from novel to musical. As for cross-media production from musical to movie, the major three gaps in value migration for consumers are emotional value, marketing activities, and epistemic value in turn. This research also uses "The Phantom of the Opera" as a case study to see how these key values are implemented cross novel to musical and cross musical to movie, and also implements it to the cultural product design model.
文化服务中跨媒体产品的设计过程:价值迁移的观点
本研究旨在探讨消费者如何验证跨媒体制作的价值,以及生产者如何根据消费者的评估通过跨媒体制作开发设计过程。基于这一视角,本研究构建了两步研究设计。首先,建立了小说、音乐和电影的价值度量模型。在此模型下,本研究采用层次分析法(AHP),并进行专家问卷调查,实验消费者对每部小说、音乐和电影的关键价值。研究结果显示了这三种创作的关键价值,并揭示了消费者在从小说到音乐的跨媒体生产中价值迁移的三个主要差距依次是感官、审美和历史价值。从音乐到电影的跨媒体制作中,消费者价值迁移的三大缺口依次是情感价值、营销活动和认知价值。本研究亦以《歌剧魅影》为个案,探讨这些核心价值如何跨小说到音乐剧、跨音乐剧到电影,并落实到文化产品设计模式中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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