Representations of Women in "Hazrat Al-Mohtarm" by Naguib Mahfouz

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Abstract

This study deals with how women are represented and the qualities and implications of this representation in the behavior of the hero in Hazrat Al-Mohtarm (1975) by Naguib Mahfouz, which is a novel that presents a very complex human experience. As for why the woman is in this novel, the woman achieves a remarkable presence in the life of the protagonist, Othman Bayoumi, who bestows special developments on his life that elicits his reactions to life's issues and manifestations, and then in the representation of the idea of work and its remarkable embodiment. The study deals with the idea of representations through four main axes: representations of sin, representations of desire, representations of sincere love, and representations of disappointment and loss. So access to the hero comes through an understanding of the dimensions of the woman's personality in the novel. The women of "Othman Bayoumi" were distributed on these four axes: Sayyidah, Qadria, Sunni, Asilah, Ansiyah, and Radaa. The study attempts to address the following questions: To what extent does the presence of women in this novel form a balance between the semantic and the artistic? What is the peculiarity of the presence of women in the novel? What effect does the presence of women have on shaping the features of the main character? What is the position that this representation appears in the novel? This article explores these ideas through the concepts of narratives in analyzing the characters at different levels: psychological, cultural, and feminist dimensions. The reflections of minor characters help shape and develop the protagonist of the novel. The study concludes that language highlights the effect of the personality on the realization of the idea of the text, as the presence of the woman decides the features of the protagonist in its semantic and artistic dimensions, and that the privacy of the woman appears in parallel with the specificity of the job and her delusions, which creates an exciting attraction between the presence of women and the job in one context. Keywords: Novel, Hazrat Al-Mohtarm, Representations, Central protagonist, Woman.
纳吉布·马哈福兹的《哈兹拉特·莫塔姆》中妇女的表现
在纳吉布·马哈福兹1975年的小说《哈兹拉特·阿尔·穆哈塔姆》中,女性是如何被表现出来的,以及这种表现在主人公行为中的特点和含义。这部小说呈现了一种非常复杂的人类经历。至于为什么这个女人出现在这部小说中,这个女人在主人公奥斯曼·巴尤米的生活中取得了非凡的存在,他赋予他的生活以特殊的发展,这引出了他对生活问题和表现的反应,然后在工作观念的表现和它的非凡体现中。该研究通过四个主要轴来处理表征的概念:对罪恶的表征,对欲望的表征,对真诚的爱的表征,以及对失望和失落的表征。所以要想接近主人公,就要先理解小说中女性性格的各个方面。“奥斯曼巴尤米”的妇女分布在这四个轴上:Sayyidah, Qadria, Sunni, Asilah, Ansiyah和Radaa。本研究试图回答以下问题:这部小说中女性的出现在多大程度上形成了语义与艺术之间的平衡?小说中女性出现的特点是什么?女性的出现对塑造主角的特征有什么影响?这种表现在小说中的位置是什么?本文将从心理、文化和女性主义三个层面,通过叙事的概念来分析小说中的人物。小人物的反思有助于小说主角的塑造和发展。研究得出结论,语言突出了个性对文本思想实现的影响,因为女性的存在决定了主人公在语义和艺术维度上的特征,女性的隐私与工作的特殊性和她的妄想并行出现,这在一个语境中创造了女性存在和工作之间令人兴奋的吸引力。关键词:小说,哈兹拉特·莫塔姆,再现,中心主角,女人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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