The Posthumanity of “the Son of Man”: Heroes as Postmodern Apocalypse

G. Aichele
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引用次数: 2

Abstract

Abstract: As a serial narrative, the TV series Heroes cannot end and yet its story is impossible without the continual threat of an end of the world. However, this inability to end also connects these narratives with biblical narratives of the end, which are always “apocalypse without apocalypse” (Derrida). Even in its ancient forms, this revelation that does not reveal is a postmodern phenomenon, as that which “puts forward the unpresentable in presentation itself” (Lyotard). Although the show rarely cites the Bible, in juxtaposition to the biblical texts' “son of man” language, Heroes opens up an intertextual context through which the “sons of man” of Daniel 7 and elsewhere in the Bible acquire meaning as posthuman beings, even as the mysterious forces producing the TV show's varied characters are interrogated.
“人子”的后人性:作为后现代启示的英雄
摘要:电视剧《英雄》作为一个系列叙事剧,它的结局是不可能的,而它的故事又离不开世界末日的持续威胁。然而,这种无法结束也将这些叙述与圣经中关于结束的叙述联系起来,这些叙述总是“没有启示的启示”(德里达)。即使在其古老的形式中,这种没有揭示的启示也是一种后现代现象,因为它“在呈现本身中提出了不可呈现的东西”(利奥塔德)。虽然这部剧很少引用圣经,但与圣经中“人子”的语言并列,《英雄》开辟了一种互文的语境,通过这种语境,但以理书7章和圣经中其他地方的“人子”获得了作为后人类的意义,即使是在产生电视剧中各种角色的神秘力量受到质疑的时候。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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