The Gaze and Its Signifiers: Stain, Dirt, Garbage

K. Shevtsov
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Abstract

The article analyzes the concept of pollution as a deviation from the order or destruction of the meaning that ensures the establishment and reproduction of this order. We can talk about visual pollution only if we clarify how we see the meaning of visuality. To describe and reveal this meaning, the article proposes and develops the concept of gaze-returning, and it also defines a number of criteria that allow us to characterize some visual phenomena as dirt or visual garbage. The phenomenon of dirt in visible space is associated with the figure of the gaze and the possibility of investing in this space the experience of other senses and the body as a whole. The foreignness of these components of visuality can work to strengthen it — to articulate differences and fix them, and finally, to the technological reproduction of visual images; however, the same components contribute to the simulation of the gaze and the displacement of the living experience of vision by its technical signs, which is the reason of the problem of destruction of the visual order.
凝视及其能指:污点、污垢、垃圾
本文分析了污染概念作为一种偏离秩序或破坏秩序的意义,保证了这一秩序的建立和再生产。只有当我们弄清楚我们如何看待视觉的意义时,我们才能谈论视觉污染。为了描述和揭示这一意义,文章提出并发展了视线回归的概念,并定义了一些标准,使我们能够将某些视觉现象定性为污垢或视觉垃圾。可见空间中的污垢现象与凝视的形象以及在这个空间中投资其他感官和整体身体体验的可能性有关。这些视觉组成部分的异域性可以加强它-阐明差异并修复它们,最后是视觉图像的技术复制;然而,同样的成分也促成了凝视的模拟和视觉的生活经验被其技术符号所取代,这就是视觉秩序破坏问题的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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