Quest for Idyllic Pleasure in Kincaid's Among Flowers: A Walk in the Himalaya

Toya Nath Upadhyay
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Abstract

This study reads Jamaica Kincaid's travel text, Among Flowers: A Walk in the Himalaya (2005), as the author's quest for idyllic pleasure. Despite her identification as an anti-imperialist writer with her previous works, Kincaid turns towards simply inventing a garden in her hometown, Vermont in this text for aesthetic pleasure. Her arduous journey to the Eastern Himalayan landscape of Nepal for the quest of gardenworthy seeds to grow back in her private garden is intimately fraught with her passions of flowers. Engaging with the critical views of available critics such as Jill Didur, Pallavi Rastogi, Racia Anne Chansky and others on the book as well as concepts from travel writing theory, my study argues that Among Flowers: A Walk in the Himalaya bears Kincaid's search for idyllic pleasure of gardening rather than any imperialist or anti-imperialist underpinnings.
在金凯德的《花丛中:喜马拉雅漫步》中寻找田园诗般的快乐
本研究阅读了牙买加·金凯德的旅行文本《花丛:喜马拉雅漫步》(2005),作为作者对田园诗般的快乐的追求。尽管金凯德在她之前的作品中被认为是一个反帝国主义作家,但在这本书中,她转向在她的家乡佛蒙特州简单地创造一个花园,以获得审美快感。她长途跋涉,来到尼泊尔的东喜马拉雅地区,寻找适合园艺的种子,让它们在她的私人花园里重新生长,这段旅程充满了她对花卉的热情。结合Jill Didur、Pallavi Rastogi、Racia Anne Chansky等评论家对这本书的批评观点,以及旅行写作理论的概念,我的研究认为,《花丛中:喜马拉雅漫步》体现了金凯德对田园园艺乐趣的追求,而不是任何帝国主义或反帝国主义的基础。
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