SORITICAL SERIES AND FISHER SERIES

P. Égré
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引用次数: 14

Abstract

A general issue in the study of vagueness concerns whether vagueness can be reduced to a form of ambiguity (Fine 1975, Pinkal 1995, Williamson 1994). In this talk I propose to discuss the link between the notions of vagueness and ambiguity in the perceptual domain. Wellknown examples of ambiguous stimuli are so-called bistable figures, such as Necker's cube or Jastrow's duckrabbit, namely physically stable configurations that can be perceived in two different ways. A striking aspect of the perception of bistable stimuli is that even when one's attention is sustained, spontaneous transitions still happen from one percept to the other (Hupe and Rubin 2003). On the other hand, a concept or category is characterized as vague if it has borderline cases, namely cases for which the concept fails to apply clearly or to be excluded clearly. Typically, in a series of color hues ranging from a clear red to a clear yellow, some stimuli would count as borderline cases of either category when it is no longer clear to which category they should be assigned. While vagueness and ambiguity have often been opposed in the semantic domain (much as underdetermination vs. overdetermination of meaning, in K. Fine's words), D. Raffman has suggested that within soritical series, borderline cases pattern typically as ambiguous stimuli (Raffman 1994). Moreover, as discussed by Raffman, soritical transitions from one category to the other typically give rise to hysteresis effects, namely to the longer persistence of one percept over the other, depending on which category one is coming from (Lindsey, Brown and Raffman 2005 in progress, cited in Raffman 2005). As it turns out, this effect is also observed in the perception of bistable figures (see Hock, Kelso and Schoner 1993). In this talk, I wish to examine some philosophical consequences of the idea put forward by Raffman that borderline cases within soritical series might pattern as ambiguous stimuli. If the analogy is correct, one important such consequence seems to me to be that there should be no fact of the matter, in the relevant instances, as to whether patches of color in the borderline area can be classified as red or not. Indeed, bistable figures are such that there is no fact of the matter as to whether they should be perceived one way or the other, given that physically they are invariant. Rather, variations in judgments are to be traced solely to perceptual instability on the side of perceiving subjects. To that extent, the analogy appears to run against epistemic accounts of vagueness, which postulate the existence of an unknowable sharp cut-off within soritical series. A second aspect I shall examine concerns the characterization of the uncertainty specific to vagueness. Standardly, for bistable figures it is said that one percept excludes the other. A duck-rabbit is perceived as a duck or as a rabbit, but not as something in between. Prima facie therefore, the analogy between bistability and vagueness may seem inadequate. However, bistable figures themselves can be arranged in transition series consisting of slight alterations between adjacent members in the series (Fisher 1967, Gregson 2004). An interesting aspect of such configurations is the fact that although one percept becomes less probable than the other as one moves along the series, both percepts can still be applied all along in principle for such stimuli, even for the end stimuli. One issue is whether the uncertainty which is often used to characterize vagueness can be explained in a similar way 9 on the basis of a competition between overlapping categories.
Soritical级数和fisher级数
模糊研究中的一个普遍问题是模糊是否可以被简化为一种模棱两可的形式(Fine 1975, Pinkal 1995, Williamson 1994)。在这次演讲中,我打算讨论在感知领域中模糊和歧义概念之间的联系。众所周知的模糊刺激的例子是所谓的双稳态图形,如内克尔的立方体或杰斯特罗的鸭子兔,即物理上稳定的结构,可以以两种不同的方式被感知。双稳态刺激感知的一个显著方面是,即使一个人的注意力是持续的,从一种感知到另一种感知仍然会自发地发生转换(Hupe和Rubin 2003)。另一方面,如果一个概念或类别存在边界情况,即该概念不能明确适用或被明确排除的情况,则该概念或类别被认为是模糊的。通常,在一系列从清晰的红色到清晰的黄色的色调中,当一些刺激不再清楚地分配到哪一类时,它们将被视为任何一类的边缘情况。虽然模糊性和模糊性在语义领域经常是对立的(就像K. Fine所说的意义的不充分决定和过度决定一样),但D. Raffman认为,在小说系列中,边缘情况的模式通常是模糊的刺激(Raffman 1994)。此外,正如Raffman所讨论的,从一个类别到另一个类别的社会过渡通常会产生滞后效应,即一个感知比另一个感知持续时间更长,这取决于一个感知来自哪个类别(Lindsey, Brown和Raffman 2005正在进行中,引用于Raffman 2005)。事实证明,这种效应也可以在双稳态数字的感知中观察到(见Hock, Kelso和Schoner 1993)。在这次演讲中,我希望研究一下Raffman提出的观点的一些哲学结果,即小说系列中的边缘案例可能会成为模糊刺激的模式。如果这个类比是正确的,那么在我看来,这样一个重要的结果似乎是,在相关的实例中,不应该存在这样一个事实,即在边界区域的色块是否可以被归类为红色。事实上,双稳态数字是这样的,因为它们在物理上是不变的,所以它们是否应该以一种方式或另一种方式被感知是没有事实依据的。相反,判断的变化只能追溯到感知主体一方的感知不稳定性。在这种程度上,这种类比似乎与模糊的认识论的叙述背道而驰,后者假定在故事系列中存在一个不可知的尖锐界限。我要考察的第二个方面涉及对模糊所特有的不确定性的描述。一般说来,对于双稳数字,我们说一个知觉排斥另一个知觉。鸭兔被认为是鸭子或兔子,而不是介于两者之间的东西。因此,初步看来,双稳定性和模糊性之间的类比似乎是不充分的。然而,双稳图形本身可以排列成过渡序列,由序列中相邻成员之间的微小变化组成(Fisher 1967, Gregson 2004)。这种结构的一个有趣的方面是,尽管一个感知随着序列的移动而变得比另一个更不可能,但原则上,这两个感知仍然可以一直应用于这些刺激,甚至是最终的刺激。一个问题是,经常用来描述模糊性的不确定性是否可以在重叠类别之间竞争的基础上以类似的方式解释。
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