Time and Metaphor in Emily Dickinson and Ana Blandiana

Anca Peiu
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Abstract

For so many years on end, my job of teaching some of the most representative American poets has rendered me nostalgic for my own memories of Romanian poetry, whether classic or contemporary. Especially whenever I have had a chance of teaching Emily Dickinson, I fell under the spell of a special affinity between her short striking poems and those of Ana Blandiana, whom I have devotedly admired as an amateur reader, ever since my adolescence. They both have enchanted me by the same playful tone and (seeming) simplicity of poetic expression while conveying metaphysical messages, by means of the most unexpected imagery, which all correspond to Paul Ricoeur's concept of the "living metaphor". This is why my paper title alludes to Ricoeur's celebrated volumes about The Rule of Metaphor and Time and Narrative, in which I have always found reliable support for approaching the best lively books of poetry and narrative of the entire world literature. I hope I will not fail either my guidance or my purpose here. 
艾米莉·狄金森与安娜·布兰黛安娜的时间与隐喻
这么多年来,我教授一些最具代表性的美国诗人的工作,让我怀念起自己对罗马尼亚诗歌的记忆,无论是经典的还是当代的。特别是每当我有机会教艾米莉·狄金森时,我就会被她那引人注目的短诗和安娜·布兰黛安娜的诗之间的特殊亲和力所吸引。作为一个业余读者,我从青少年时代起就一直非常崇拜她。它们都以同样俏皮的语气和(看似)简单的诗意表达吸引了我,同时通过最意想不到的意象传达了形而上学的信息,这些都符合保罗·利科尔的“活隐喻”概念。这就是为什么我的论文题目暗指利科的著名著作《隐喻规则》、《时间与叙事》,我总是在这些书中找到可靠的支持,来接近整个世界文学中最生动的诗歌和叙事书籍。我希望我不会辜负我的指导或我在这里的目的。
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