THE SPECIFICS OF RECEPTION OF THE "RUSSIAN TEXT" IN THE POEMS BY JUDITA VAIČIŪNAITĖ

Marina Romanenkova
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Abstract

Th e paper concerns the specifi cs of reception and interpretation of several important topics of the “Russian text” of culture (the painting ‘Lilac’ by M.Vrubel, I. Turgenev’s manor in Spasskoye-Lutovinovo, the concept ‘Cherry Orchard’) by Lithuanian poet Judita Vaiciūnaitė (1937–2001). Her poems “In Front Of Vrubel’s‘Lilac’” (1957), “At Turgenev’s Homeland” (1960), “Cherry Orchard”1 (1976) are analyzed from the point of view of the existential thought which was characteristic for the Russian culture of 20th century. Vaiciūnaitė’s intermedial strategy is considered as it reveals in the poems mentioned above the issues which are topical for Lithuanian culture and literature, namely the ones related to overcoming time, space, oblivion, and to confronting the destructive drives of the destiny. The paper focuses on the analysis of the compensatory function of the existential type of conscience for representing the problem of an artist’s destiny in the condition of the Soviet regime and for preservation of the values of Lithuanian culture.
朱迪塔诗歌中“俄罗斯文本”接受的具体情况vaiČiŪnaitĖ
本文关注立陶宛诗人朱迪塔Vaiciūnaitė(1937-2001)对“俄罗斯文本”文化的几个重要主题(M.Vrubel的画作“丁香”,I.屠格涅夫在Spasskoye-Lutovinovo的庄园,“樱桃园”的概念)的接受和解释的细节。从具有20世纪俄罗斯文化特色的存在主义思想的角度分析了她的诗《在弗鲁贝尔的丁香前面》(1957)、《在屠格涅夫的故乡》(1960)、《樱桃园1》(1976)。Vaiciūnaitė的中间策略在上面提到的诗歌中被认为是立陶宛文化和文学的主题,即与克服时间,空间,遗忘和面对命运的破坏性驱动有关的问题。本文着重分析了存在主义类型的良心的补偿功能,以代表苏维埃政权条件下艺术家的命运问题和保存立陶宛文化的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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