Explaining the Relationship between Fascist Pluralism and Modernity

N. Khandagh, Siavash Rezaei
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Abstract

Fascism is a fluid and unknown phenomenon in the world of politics and especially in the field of governance, a phenomenon whose nature; despite all the efforts of theorists and thinkers in the field of political and social sciences, remains in an aura of ambiguity. Fascism is like a mirror room in allegory, every essence that is placed in it is lost in thousands of images of its kind and this confusion is the same populism that the idea of fascism seeks in different social strata as its destination. In this article, we try to provide general results from the origins of fascism; its characteristics and patterns of behavior, especially in the field of pluralism and how it treats modernity, by providing explanations of fascism research, to finally find out which political component or components fascism with such a fluid nature seeks to achieve. In a sense, the purpose of this article is to investigate and explain the relationship between fascist institutions and modernity and how to use its indicators. The research method of this article is descriptive-analytical which has explained the subject with an interpretive-critical approach. The analysis of this article is based on a systematic method based on the keywords of fascism and modernity.
解读法西斯多元主义与现代性的关系
法西斯主义在政治世界,特别是在治理领域是一种流动和未知的现象,这种现象的性质;尽管政治和社会科学领域的理论家和思想家做出了种种努力,但仍然处于一种模棱两可的气氛中。法西斯主义就像寓言中的镜子房间,每一个放在里面的本质都在成千上万的同类图像中消失了,这种混乱就是法西斯主义思想在不同社会阶层中寻求的民粹主义。在这篇文章中,我们试图从法西斯主义的起源提供一般的结果;它的特征和行为模式,特别是在多元主义领域以及它如何对待现代性,通过提供对法西斯主义研究的解释,最终找出具有这种流动性质的法西斯主义寻求实现的政治成分或成分。从某种意义上说,本文的目的是调查和解释法西斯制度与现代性之间的关系以及如何使用其指标。本文的研究方法是描述-分析,用解释-批判的方法来解释主题。本文以法西斯主义和现代性为关键词,采用系统的方法进行分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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