La cosmovisión de la transición española en la película Juana la loca… de vez en cuando. Un manual para la comprension de la comedia historica de los ochenta
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引用次数: 1
Abstract
Although it was one of the great movie blockbusters of the time, Joan the Mad... once in a while (Jose Ramon Larraz, 1983), received harsh criticism from the specialized public, who saw in the film a painful way of making movies. Characters, ambience, script, interpretations, etc., nothing escaped the pen of the critics, who vented their criticism on it. Even so, the public connected perfectly with it, not in vain, the Court of the Catholic Kings came to make the distant Spanish transition their own. Through the following research, we want to value this important contribution of Spanish cinema, as a document that perfectly reflects the political, social, cultural and artistic life of the Spanish Transition, offering a compendium that allows us to understand the thoroughness and intellectuality of the script in all its complexity.
尽管它是当时最伟大的电影大片之一,但《疯琼》……偶尔(Jose Ramon Larraz, 1983),受到专业公众的严厉批评,他们在电影中看到了一种痛苦的电影制作方式。人物、气氛、剧本、解释等等,无一逃过评论家的笔尖,他们对它进行了批评。即便如此,公众仍与之紧密相连,天主教国王的朝廷将遥远的西班牙转变为自己的。通过以下的研究,我们希望重视西班牙电影的这一重要贡献,作为一份完美反映西班牙转型时期政治、社会、文化和艺术生活的文件,提供一个纲要,使我们能够理解剧本的彻底性和智慧性,以及它的复杂性。