Image Symbol Interpretation of Tibetan Film “Balloon”

Xia Tong, Gao Fengyan
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Abstract

From the perspective of semiotics, the images in the movie text all have certain referential significance. Individual symbols and the arrangement and combination between symbols together constitute a complete movie text. Applying semiotics theory to analyze the movie text is helpful to interpret the deep meaning of the movie. Based on the basic principles of semiotics, this paper interprets the Tibetan film Balloon. By analyzing the expression of Tibetan culture by image symbols in the film, the interpretation of theme implication by surrealist images and the symbol reference and symbol matrix pattern in the meaning construction of this film text, this paper constructs a cultural picture of Tibetan characters and their survival dilemma drawn by director Pema Tseden.
西藏电影《气球》的影像符号解读
从符号学的角度看,电影文本中的意象都具有一定的参考意义。单个符号和符号之间的排列组合共同构成了一个完整的电影文本。运用符号学理论对电影文本进行分析,有助于解读电影的深层含义。本文从符号学的基本原理出发,对西藏电影《气球》进行解读。本文通过分析影片中影像符号对西藏文化的表达,超现实主义影像对主题意蕴的诠释,以及影片文本意义建构中的符号参照和符号矩阵模式,构建出白玛次丹导演描绘的西藏人物及其生存困境的文化图景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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