The Development of Catholic Altar Architecture on the Territory of Belarus During the 17th Century – the First Half of the 19th Century

Irena Radzevich
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Abstract

The reasons influencing the formation of altars during the 17th century – the first half of the 19th century are figured out on the basis of the system conception. Predominant style schools of that time architecture supported by edited treatises and sketchbooks with engravings and reproductions of European artificers are determined on the assumption of disclosed and studied archival materials of architectural-artful altar development of Belarus during the 17th century – the first half of the 19th century is analyzed in this paper. The extent of different European architectural schools impact is determined. Architecture development tendencies depending on the material and belonging to a congregational or monastic temple are revealed. Possible variants of architecturalcompositional concept are simultaneously envisaged. Keywords—catholic altar; retable; catholic church; compositional schemes of altars; sacred art
17世纪至19世纪上半叶白俄罗斯境内天主教祭坛建筑的发展
在系统概念的基础上,分析了17世纪至19世纪上半叶影响祭坛形成的原因。在17世纪白俄罗斯建筑艺术祭坛发展的公开和研究的档案材料的假设下,以欧洲工匠的雕刻和复制品的编辑论文和速写本为支持,确定了当时建筑的主要风格流派-本文分析了19世纪上半叶。不同的欧洲建筑学校的影响程度是确定的。建筑的发展趋势取决于材料和属于一个公理会或寺院寺庙揭示。同时设想了建筑构图概念的可能变体。Keywords-catholic坛;祭坛装饰;天主教会;祭坛的构图方案;神圣的艺术
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