Documenting Nigeria’s Hip Hop Music Evolution in Nollywood: an Examination of Tunde Kelani’s Campus Queen

W. Adedeji
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Abstract

It has been established that the Nigerian music industry has grown tremendously in recent times through the popularity and dynamism of the Hip hop genre, which has positioned itself as the mainstream music presently. Likewise the Nigerian film industry now referred to as Nollywood is credited as the fastest growing film industry and rated the third largest film industry in the world after Hollywood and India’s Bollywood and currently accounts for an estimated N 853.9 billion ($7.2 billion)  or 1.42 percent of Nigeria's GDP. This paper establishes the interface between popular music culture (hip hop) and Nollywood through the notion of documentation with a highlight of how Hip hop music is being documented in Nollywood formative years either consciously or un-consciously. The paper adopts a qualitative research method with an in-depth analysis of music in the movie-Campus Queen.
记录尼日利亚嘻哈音乐在诺莱坞的演变:对Tunde Kelani的校园女王的考察
它已经确定,尼日利亚的音乐产业在最近的时间里,通过流行和嘻哈流派的活力,这已经定位为目前的主流音乐有了巨大的增长。同样,尼日利亚电影工业现在被称为诺莱坞,被认为是增长最快的电影工业,被评为继好莱坞和印度宝莱坞之后的世界第三大电影工业,目前估计占尼日利亚GDP的8539亿奈拉(72亿美元)或1.42%。本文通过文献的概念建立了流行音乐文化(嘻哈)和诺莱坞之间的界面,重点是嘻哈音乐是如何在诺莱坞形成时期有意识或无意识地被记录下来的。本文采用定性研究的方法,对电影《校园女王》中的音乐进行了深入分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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