Xi Wang, Shaoyu Su, Liaowei Chen, Yifan Lin, Francisco Manuel Barros, Zao Song
{"title":"Illusory Land","authors":"Xi Wang, Shaoyu Su, Liaowei Chen, Yifan Lin, Francisco Manuel Barros, Zao Song","doi":"10.1145/3550470.3558428","DOIUrl":null,"url":null,"abstract":"The core idea is that fragments of memory echo through the meta-universe. It is a 360-degree immersive art work using the latest real-time animation technology. It can be displayed in VR or Dome projection. Allowing the audience to immerse themselves in a surreal Oriental landscape fantasy, experience dreams and memories of the past, present, and future growing, changing, disintegrating, and reorganizing in a chaotic meta-universe. It describes an electronic tree growing from another dimension, with a VR Birdman wrapped together by umbilical cords of optical fiber. The trees were covered with psychedelic electronic flowers. It conveys the conflicts between technology and humanity, memory and the present, evolution and extinction that continue to reverberate in the meta-universe. The landscape floating upside down in the mist adds to the atmosphere of suspense and chaos. The style is a mixture of surrealism, fantasy, cyberpunk, Song Dynasty painting, etc. Currently uploaded is a work in progress version, but it has also been of fairly high quality, full of artistic and technical challenges throughout the production process. We are trying to put more challenging elements, concepts into the final version, which will have longer duration, multiple different scenes, more complex story lines, full music, etc.","PeriodicalId":434115,"journal":{"name":"Proceedings of the SIGGRAPH Asia 2022 Art Gallery","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the SIGGRAPH Asia 2022 Art Gallery","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3550470.3558428","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The core idea is that fragments of memory echo through the meta-universe. It is a 360-degree immersive art work using the latest real-time animation technology. It can be displayed in VR or Dome projection. Allowing the audience to immerse themselves in a surreal Oriental landscape fantasy, experience dreams and memories of the past, present, and future growing, changing, disintegrating, and reorganizing in a chaotic meta-universe. It describes an electronic tree growing from another dimension, with a VR Birdman wrapped together by umbilical cords of optical fiber. The trees were covered with psychedelic electronic flowers. It conveys the conflicts between technology and humanity, memory and the present, evolution and extinction that continue to reverberate in the meta-universe. The landscape floating upside down in the mist adds to the atmosphere of suspense and chaos. The style is a mixture of surrealism, fantasy, cyberpunk, Song Dynasty painting, etc. Currently uploaded is a work in progress version, but it has also been of fairly high quality, full of artistic and technical challenges throughout the production process. We are trying to put more challenging elements, concepts into the final version, which will have longer duration, multiple different scenes, more complex story lines, full music, etc.