Spirit And Figure of Ratu Kalinyamat in Contemporary Batik

M. Na’am, Deni Setiawan, W. Prasetyaningtyas
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Abstract

. Creativity in creating and producing the contemporary batik originated from traditional arts, either its form, ideas for creation, or historical reference of the local figuration of Ratu Kalinyamat, is an effort to promote and to popularize batik by making innovation on the decorative designs, to the common people and to the industrial community of Nusantara batik. The batik artists are the main character in the promotion of traditional batik publicly. The community is a group of artists who play the role to create the trend of decorative motifs in order that the popularity of the traditional batiks wrapped in contemporary crafts can be meaningful things to the batik fanatics. The personal and social interaction within the artists cycles when creating batik originated from the traditional artworks and the values of traditional arts on the contemporary batik works, it is interesting to be scrutinized as sociological analysis or arts. In addition to viewing the social correlation between batik artists and the artworks lovers, it also is aimed at understanding the meaning of the traditional arts ideas originated from Ratu Kalinyamat created through the form of contemporary batik. Thus, we find out that the ideas coming from the traditional arts are the main foundation of the contemporary batik creation.
当代蜡染中拉图·卡利亚玛特的精神与形象
。当代蜡染的创作和生产创意源于传统艺术,无论是其形式、创作理念,还是对当地拉图·加里尼亚马特形象的历史借鉴,都是通过在装饰设计上的创新,向努桑塔拉蜡染的普通民众和工业社区推广和普及蜡染。蜡染艺术家是传统蜡染向公众推广的主角。社区是一群艺术家,他们扮演着创造装饰图案趋势的角色,以便将传统蜡染的流行包裹在当代工艺品中,对蜡染爱好者来说是有意义的事情。艺术家在创作蜡染时的个人与社会互动循环源于传统艺术品和传统艺术对当代蜡染作品的价值,作为艺术的社会学分析来审视是很有趣的。除了观察蜡染艺术家与艺术爱好者之间的社会关联,也旨在通过当代蜡染的形式来理解源自拉图·卡利亚马特的传统艺术理念的意义。因此,我们发现来自传统艺术的思想是当代蜡染创作的主要基础。
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