INFLUENCE OF THE VITRUVIAN MAN IN WESTERN ARCHITECTURAL AESTHETICS

Yu-Fu Yang, Chin-Yean Wu, Shin-Hung Pan
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Abstract

: Although knowledge regarding the economic use of space and of building techniques in Vitruvius’ The Ten Books on Architecture may have been phased out over time, Vitruvius’ concept of Beauty alone has kept its status as the unique origin of aesthetic standards in Western architectural culture, even in the broader occidental culture of Western plastic arts in general, not just in architectural culture. Through studying Vitruvius’ The Ten Books on Architecture, Alberti’s The Ten Books of Architecture and Palladio’s The Four Books on Architecture, this research analyses and discusses aesthetic standards in Western architectural culture as an introductory study of Western traditional aesthetics. This research draws the following conclusions on aesthetic views represented in these architectural books: (1) Aesthetic implications came to be gradually obscured; (2) Aesthetic form became more sophisticated step by step; (3) Development of the formal principles of Western aesthetics may be traced back to the Pythagorean theory of numbers.
维特鲁威人对西方建筑美学的影响
虽然维特鲁威的《建筑十书》中关于空间的经济利用和建筑技术的知识可能随着时间的推移而逐渐被淘汰,但维特鲁威的“美”概念本身一直保持着其作为西方建筑文化美学标准的独特起源的地位,甚至在更广泛的西方造型艺术文化中也是如此,而不仅仅是在建筑文化中。本研究通过对维特鲁威的《建筑十书》、阿尔贝蒂的《建筑十书》和帕拉第奥的《建筑四书》的研究,对西方建筑文化中的审美标准进行分析和探讨,作为对西方传统美学的入门研究。本研究对这些建筑典籍所体现的美学观点得出以下结论:(1)美学意蕴逐渐模糊;(2)审美形式日趋复杂;西方美学形式原则的发展可以追溯到毕达哥拉斯的数论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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