Moving Artistry

Mary Ellen Pinzino
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Abstract

Chapter 2 addresses the power of movement in the development of children’s artistry. It presents movement as the embodiment of children’s artistry, propelling the awakened musical mind to full body engagement. It addresses the importance of flowing movement and weighted movement in terms of both music development and choral artistry. It applies movement in the development of vocal technique and energy in singers and addresses movement in rehearsal and performance. It applies movement directly to the teaching of a new song, implementing ideas presented in this book up to this point. This chapter builds on concepts presented in Chapter 1, moving the foundations of artistry into sheer musicality in both the music classroom and children’s chorus. Insights gained from this chapter can be applied to singers of all ages and used with any methodology. Understandings from this chapter can lead to improving choral performance at all levels.
移动的艺术
第二章论述了运动在儿童艺术发展中的作用。它将运动呈现为儿童艺术的体现,将觉醒的音乐思想推向全身参与。从音乐发展和合唱艺术性两个方面论述了流动运动和加权运动的重要性。它将运动应用于歌手的声乐技巧和能量的发展,并在排练和表演中解决运动问题。它将运动直接应用到新歌的教学中,实现本书中迄今为止提出的想法。本章建立在第1章提出的概念上,将艺术的基础转移到音乐教室和儿童合唱团的纯粹音乐性中。从本章中获得的见解可以应用于所有年龄段的歌手,并与任何方法一起使用。从这一章的理解可以导致提高合唱在各个层面的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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