Russian Beckett: Paradoxes of Perception

N. Prozorova
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Abstract

This essay is focused on hermeneutical aspects of Samuel Beckett’s work. To be precise – on the problems of their perception and interpretation in contemporary Russia in the situation of “revaluation of values” that is typical of the new fin de siécle. The process of Russian perception of Beckett is connected with radical changes in the optics of our vision. Something outer and alien unexpectedly becomes inner and native when we apply the works by this “splendidly mad Irishman” to our own experience. Beckett’s works help us to feel the unity of European cultural tradition and the common fate of “all that fall”.
俄罗斯贝克特:知觉的悖论
这篇文章的重点是塞缪尔·贝克特作品的解释学方面。确切地说,是关于他们在当代俄罗斯“价值重估”的情况下的感知和解释问题,这是典型的新经济转型。俄国人对贝克特的认知过程与我们视觉的根本变化有关。当我们把这个“疯狂的爱尔兰人”的作品运用到我们自己的经验中时,一些外在的、陌生的东西意外地变成了内在的、本土的。贝克特的作品让我们感受到欧洲文化传统的统一性,以及“所有堕落”的共同命运。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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