IMAGES OF JIHAD AND PROBLEMS OF LEGITIMATION OF RELIGIOUS PROTEST AS A FORM OF CLASS CONFLICT AND SOCIAL LIBERATION

M. Kyrchanoff
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引用次数: 1

Abstract

Background. The author analyzes the texts of the Dune cycle in contexts of modern historiography, including its universal methods that allow analyzing “oriental” images in literature through the prism of constructing and deconstructing narratives that form the image of Jihad as a form of political, social and religious struggle of oppressed communities and minorities. Purpose. The purpose of the article is an “orientalist” reinterpretation of the images of Jihad in the novels belonging to the Dune cycle including the prequel text presented by Dune. Butlerian Jihad and Dune. Paul. Materials and methods. The author uses the methodological tools of intellectual history and studies of nationalism, including the concept of the invention of traditions, which allows to analyze the images of Jihad in science fiction as one of the invented traditions of mass US science fiction literature using the texts of the Dune cycle. Orientalism as a method is used to analyze Muslim motifs in the prose of F. Herbert, B. Herbert and K. Anderson, which, as the author of the article presumes, were inspired by political, ideological and religious stimuli. The author states that the orientalist approach can be an effective interpretative model for an interdisciplinary analysis of American science fiction as a cultural landscape for the development of Jihad images in the Western intellectual tradition of the consumer society. Results. The ideological and political foundations for the development of images of Jihad as a social concept of American science fiction are studied in the article. The article analyzes the ideological origins, as well as the political prototypes and archetypes of the Muslim radicals of the Dune cycle. The author analyzes the ideological discourse of radical Islamism, presented in American mass culture through the prism of religious war images as attempts to implement the doctrine and social liberation. The article analyzes the attempts of American writers to form a positive and attractive image of a radical political protest under religious Muslim slogans. Therefore, it is shown that American science fiction prose actualized the mobilization potential of Islamism, imagining and inventing it as a form of legitimate social and economic protest of the oppressed masses against discrimination. The author presumes that some American authors revised the images of Jihad, offering its interpretation as a radical social and class protest based on religious legitimation.
圣战的形象和宗教抗议作为一种阶级冲突和社会解放形式的合法性问题
背景。作者在现代史学的背景下分析了《沙丘》系列的文本,包括其普遍的方法,允许通过构建和解构叙事的棱镜来分析文学中的“东方”形象,这些叙事形成了圣战形象,作为受压迫社区和少数民族的政治、社会和宗教斗争的形式。目的。本文的目的是对包括《沙丘》前传文本在内的《沙丘》系列小说中的圣战形象进行“东方主义”的重新解读。巴特勒圣战和沙丘。保罗。材料和方法。作者运用思想史和民族主义研究的方法论工具,包括传统发明的概念,利用《沙丘》系列的文本,将科幻小说中的圣战形象作为美国大众科幻文学的发明传统之一进行分析。本文运用东方学的方法分析了F.赫伯特、B.赫伯特和K.安德森散文中的穆斯林主题,作者认为这些主题受到政治、意识形态和宗教刺激的启发。作者认为,东方学方法可以作为一种有效的解释模式,对作为文化景观的美国科幻小说进行跨学科分析,以了解西方消费社会知识传统中圣战形象的发展。结果。本文研究了圣战形象作为美国科幻小说社会概念发展的思想政治基础。文章分析了沙丘循环中穆斯林激进分子的思想根源、政治原型和原型。作者通过宗教战争形象的棱镜分析了激进伊斯兰主义在美国大众文化中的意识形态话语,这些话语试图实现教义和社会解放。文章分析了美国作家试图在穆斯林的宗教口号下塑造一个积极而有吸引力的激进政治抗议形象的尝试。因此,美国科幻散文实现了伊斯兰主义的动员潜力,将其想象和创造为受压迫群众反对歧视的一种合法的社会和经济抗议形式。作者推测,一些美国作家修改了圣战的形象,将其解释为基于宗教合法性的激进的社会和阶级抗议。
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