NM 68226 84912; TQ 30052 80597

Abstract

This chapter is about the way in which two monuments (already set in order by historically resonant acts of geographical mapping through ordnance survey) seek to commemorate two international criminal law moments through a ‘setting in order’ that is at once a setting in stone, a setting in law, a setting in war, a setting of a series of killings in the order of history and memory, and a setting for law.