{"title":"The Man Who Came to Read the Metre","authors":"L. Hall","doi":"10.5871/bacad/9780197266519.003.0003","DOIUrl":null,"url":null,"abstract":"A personal memoir of how Tony Harrison influenced both my work personally and my generation of playwrights in general. From a meeting in Newcastle Upon Tyne when I was a teenager to his guidance as a beacon for an engaged theatre that dealt with power and class I trace his journey which like mine was from a strong Northern working class community to the main stages of the National Theatre. His example of integrating the traditions of Popular Theatre with the Classical, the tribulations of being a working-class scholar and the ambitions of his formal and thematic concerns have been exemplary not only to me but to my generation of theatre makers.","PeriodicalId":315731,"journal":{"name":"New Light on Tony Harrison","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Light on Tony Harrison","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5871/bacad/9780197266519.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
A personal memoir of how Tony Harrison influenced both my work personally and my generation of playwrights in general. From a meeting in Newcastle Upon Tyne when I was a teenager to his guidance as a beacon for an engaged theatre that dealt with power and class I trace his journey which like mine was from a strong Northern working class community to the main stages of the National Theatre. His example of integrating the traditions of Popular Theatre with the Classical, the tribulations of being a working-class scholar and the ambitions of his formal and thematic concerns have been exemplary not only to me but to my generation of theatre makers.