Empowering the Marginalized in Tripathi's "Shiva Trilogy": A Foucauldian Perspective

Vox Batauli Pub Date : 2023-05-12 DOI:10.3126/vb.v8i1.54852
Krishna Prasad Bhattarai
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Abstract

The present paper elucidates the portrayal of some Hindu deities in the literary creations of Amish Tripathi. In The Immortals of Meluha, The Secret of the Nagas, and The Oath of Vyauputras, Tripathi portrays the wretched condition of some Hindu gods and goddesses. The study explores the causes behind the subordination of Hindu deities. Replacing the canonical thinking of highlighting the supernatural qualities of deities, those texts expose the hidden realities behind the marginalization of some Hindu deities like, Ganesh, Kali, Sati, and all the Nagas, whose real identity was lying behind the curtain. The spotlight of the present research is to answer the causes of the subordination of major Hindu deities in Tripathi's "Trilogy." This issue is explored with the theoretical parameter of the Foucauldian perspective of power, knowledge, and resistance.
在特里帕蒂的“湿婆三部曲”中赋予边缘化权力:福柯式的视角
本文阐述了阿米什·特里帕蒂文学创作中对印度教诸神的刻画。在《Meluha的不朽》、《Nagas的秘密》和《Vyauputras的誓言》中,Tripathi描绘了一些印度神和女神的悲惨处境。这项研究探讨了印度诸神从属地位背后的原因。这些文本取代了强调神的超自然品质的规范思想,揭示了一些印度教神被边缘化背后的隐藏现实,如甘尼什、卡利、萨蒂和所有的那迦,他们的真实身份隐藏在幕后。本研究的重点是回答特里帕蒂“三部曲”中主要印度教神灵从属的原因。这个问题是用福柯的权力、知识和抵抗的观点的理论参数来探讨的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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