Commune sepulcrum

Péter Somfai
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Abstract

In Roman literature, Troy appears as a locus memoriae on several occasions. As a locus memoriae is an image of a location’s past state, it inevitably recalls that past state’s absence in the present. Troy as a literary locus memoriae recalls its own present absence, that it is only a ruin, or – according to Lucan – even less than a ruin. In this context, a literary phenomenon, i. e. the depiction of Troy being the equivalent of the absence of/or the grief for the loss of something or somebody can later be traced in the Roman poetry. Catullus, mourning his brother’s death at Troy, calls the city the common grave (commune sepulcrum) of Asia and Europe in his carmen 68. Regarding Troy, several complex allusions can be noticed in Vergil’s Aeneid recalling both Catullus 68 and 101, the two poems that are in both thematic and intertextual connection with each other. The purpose of the present study is to examine – by means of analysing the above mentioned intertexts – what kind of special locus memoriae Troy becomes in the Aeneid. This will be of crucial importance to observe the way Troy later appears in Lucan’s Bellum Civile.
在罗马文学中,特洛伊多次作为纪念地出现。由于记忆地点是一个地点过去状态的图像,它不可避免地使人想起过去状态在现在的缺失。特洛伊作为一个文学纪念地,回忆起它现在的缺席,它只是一个废墟,或者——按照卢坎的说法——甚至还不到废墟。在这种背景下,一种文学现象,即特洛伊的描述相当于失去或失去某物或某人的悲伤,可以在后来的罗马诗歌中找到。卡图卢斯在特洛伊悼念他的兄弟,在他的卡门68中称这座城市为亚洲和欧洲的共同坟墓。关于特洛伊,在维吉尔的《埃涅伊德》中可以注意到一些复杂的典藏,这些典藏唤起了卡图卢斯68和101这两首诗,这两首诗既有主题又有互文联系。本研究的目的是通过分析上述互文来检验特洛伊在《埃涅伊德》中成为了什么样的特殊记忆地。这对于观察特洛伊后来在卢坎的《文明战争》中出现的方式是至关重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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