REPRESENTASI IDEOLOGI DALAM TINDAK TUTUR TOKOH PUNAKAWAN WAYANG KULIT INOVATIF CENK BLONK

Pande I Putu Hendra Widnyana, I. Riana, I. M. Netra
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Abstract

This research is aimed to explain the ideology in the speech acts performed by the figure of punakawan at Wayang Kulit Inovatif Cenk Blonk (WKICB) show. The ideology belongs to the figure of punakawan is the principal or belief that can be easily found in common society.  The discussion done by applying the theory of critical discourse analysis by Fairclough (adopted from Eriyanto, 2001). The analysis can be seen from textual dimension, discourse dimension, and social and culture practical dimension.   The results of the research show that the speech acts performed by the figure of punakawan WKICB based on ideologies, whether those must be defended and the ones which should be abandoned for creating the harmonious relations.
这种意识形态表现在创新性皮肤美塞多龙的表演中
本研究旨在解释在Wayang Kulit innovatif Cenk Blonk (WKICB)表演中,punakawan人物的言语行为中的意识形态。普那卡旺人物的意识形态是在普通社会中很容易找到的原则或信仰。运用费尔克劳的批评话语分析理论(引自Eriyanto, 2001)进行讨论。分析可以从语篇维度、话语维度和社会文化实践维度三个方面进行。研究结果表明,普那卡湾WKICB人物基于意识形态的言语行为,哪些是必须捍卫的,哪些是应该放弃的,以创造和谐的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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