The Uxoricide Legend of the Sultan and his European Wife in ElizabethanDrama

F. T. Al-Olaqi
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引用次数: 1

Abstract

Because of the loss of Constantinople (Istanbul), the image of Mehmed II (Mehmet or literary Mahomet) is associated with the city and receives the most merciless hostile account from European Christians. The legend of uxoricide (killing wife) is associated with Sultan Mahomet's and his Fair Greek wife in Elizabethan and Restoration Drama. The same story is in Peele, Carlell, Swinhoe, Goring and Johnson. Elizabethan playwrights have interchanged discourses and prejudices as they crisscrossed between the Turks and their fascination in the Turks. The lustful Ottomans fascinate audiences not only through their harem stories, but by the extravagant tragedies and the magnificent staging of these plays. Similarly, the tragic love episode of the Sultan and the Greek spouse echoes in Goffe, Kyd, Shakespeare and others. Although the dramatic story is led in episodes of love, constancy, fortune, inconstancy, triumph, and death, it is politically exploiting the Turkish incursion in Europe, and the bad nature of the Ottoman Sultans.
伊莉莎白戏剧中苏丹和他的欧洲妻子的弑君传说
由于失去了君士坦丁堡(伊斯坦布尔),穆罕默德二世(穆罕默德或文学穆罕默德)的形象与这座城市联系在一起,并受到欧洲基督徒最无情的敌意。在伊丽莎白和复辟时期的戏剧中,弑妻的传说与苏丹穆罕默德和他美丽的希腊妻子有关。皮尔、卡莱尔、斯温霍、戈林和约翰逊的故事也是如此。伊丽莎白时期的剧作家们在土耳其人和他们对土耳其人的迷恋之间相互交流着话语和偏见。贪婪的奥斯曼人不仅通过他们的后宫故事,而且通过这些戏剧的奢侈悲剧和华丽的舞台来吸引观众。同样,苏丹和希腊配偶的悲剧爱情情节在戈夫、基德、莎士比亚和其他人的作品中也有回响。虽然这个戏剧性的故事以爱情、忠诚、财富、无常、胜利和死亡的情节为主导,但它在政治上利用了土耳其对欧洲的入侵,以及奥斯曼苏丹的邪恶本性。
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