Women as literary creation: a diachronic-representative journey

Martha Elia ARIZMENDI-DOMÍNGUEZ, Laiza Sabrina DE LA TORRE-ZEPEDA, G. MEZA-GARCÍA
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Abstract

The following essay intends to show women presence in some scripts, mainly narrative, by authors and shea uthors who decided to recreate them in the literary artwork. The twentieth century will be the encompassing component and some of its decades, the encompassed parts; the classification follows the desire to deepen into those mentioned she characters which are already part of the Mexican literature history. We began the journey in 1903, with Santa, by Federico Gamboa and ended in 2009, with The Insurgent by Carlos Pascual, covering a little the present century, given the importance of some script that address the framework theme: women as a literary creation. We consider it important to mention that the contributions of this study are two, one, as its name indicates, highlighting the presence of women as creation in the literary work and, another, which, although we know, according to the Language Royal Academy LRA, character is a masculine noun, we propose, at least in this essay, to create the female noun: SHE CHARACTER, WOMEN CHARACTER as new noun.
作为文学创作的女性:一次历时性代表之旅
下面的文章旨在展示女性在一些剧本中的存在,主要是叙事性的,由作家和shea作家决定在文学作品中重新创造她们。20世纪将是包罗万象的组成部分,其中的一些几十年,是包罗万象的部分;这种分类是为了深入研究那些已经成为墨西哥文学史一部分的人物。我们从1903年费德里科·甘博亚(Federico Gamboa)的《圣诞老人》(Santa)开始,到2009年卡洛斯·帕斯卡尔(Carlos Pascual)的《叛变者》(the Insurgent)结束,这段旅程涵盖了本世纪的一点内容,考虑到一些剧本的重要性,它们解决了框架主题:女性作为一种文学创作。我们认为重要的是提到这项研究的贡献有两个,一个,正如它的名字所表明的那样,突出了女性在文学作品中作为创造物的存在,另一个,尽管我们知道,根据语言皇家学院LRA,字符是一个男性名词,我们建议,至少在这篇文章中,创建女性名词:SHE character, women character作为新名词。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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