A Hierarchy of Innocence

Susan D. Moeller
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引用次数: 77

Abstract

The shift in warfare and in geopolitics since the Cold War has made it difficult for Americans to identify the “good guys” and the “bad guys” in international affairs. The “Evil Empire” is no longer reflexively the Soviet Union or its proxies, for example. Without a clear sense of who needs protection, the media and other political actors have tried to identify who is innocent. In many cases, children have been portrayed as the only “pure” victims. For many conflicts and crises, children, seen generically, have filled up the American empathy vacuum—that void that used to be taken up by the Natan Sharanskys, the Alexander Solzhenitsyns, the Jacobo Timmermans, the Nelson Mandelas: men, typically, who stood for the values of democracy, equality, and freedom. Now, often, conflicts are depicted in the media less as political confrontations than as brutal and ideologically senseless battles, and how better to communicate that than to show a damaged child?
纯真的等级
冷战以来战争和地缘政治的变化使得美国人很难在国际事务中分辨“好人”和“坏人”。例如,“邪恶帝国”不再条件反射地指苏联或其代理人。由于对谁需要保护没有明确的认识,媒体和其他政治行为者试图确定谁是无辜的。在许多情况下,儿童被描绘成唯一的“纯粹”受害者。在许多冲突和危机中,一般来说,儿童填补了美国人的同理心真空——这个真空曾经被纳坦·沙兰斯基、亚历山大·索尔仁尼琴、雅各布·蒂默曼斯、纳尔逊·曼德拉等人占据:这些人代表着民主、平等和自由的价值观。现在,媒体经常把冲突描绘成残酷的、意识形态上毫无意义的战争,而不是政治对抗,还有什么比展示一个受伤的孩子更好的表达方式呢?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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