The Inheritance Model of Tari Wayang Sumedang: Enculturation and socialization

Lilis Sumiati
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Abstract

Sumedang style Wayang dance is a traditional art that has survived about 94 years. The phenomenon becomes a magnet that leads to the realm of curiosities to trace the inheritance of Sumedang style puppet dance. This article intends to contribute to produce the output of the Wayang Pewarisan Dance Model Sumedang based on Enculturation and Socialization. Thus, the theory that is considered appropriate in expressing the inheritance of Sumedang style puppet dance is Cultural inheritance that has three forms of the pattern of vertical transmission, horizontal, and sloping. The method used is qualitative paradigm with anthropology and sociology approach. Anthropological approach to lead to the realm of inheritance of Wayang dance Sumedang from the group / environment itself (enculturation). Sociology approach to carry on the process of formation of individuals intentionally through the ways of teaching in groups themselves. The research procedure is based on the stage of literature review, data collection, interviews and data analysis. The results of the research concluded that was empowered by non-academic and academic parties that are mutually correlated to run a paradoxical conservation program. Non-academics insist on conservation while academics move in the realm of revitalization and even innovation. Thus, the existence of Wayang dance style Sumedang in maintaining the balance between dynamics and stability demands.
塔里瓦扬苏迈当的传承模式:文化化与社会化
苏梅当风格的大阳舞是一种流传了大约94年的传统艺术。这一现象成为一块磁铁,将人们引向追寻苏美当木偶舞传承的好奇之境。本文旨在为基于文化同化与社会化的大阳佩瓦里桑舞蹈模式“苏美当”的产出做出贡献。因此,表达苏美当风格木偶舞传承的理论被认为是文化传承,它有垂直传承、水平传承、倾斜传承三种形式。研究方法采用人类学和社会学相结合的定性范式。人类学的方法从群体/环境本身(文化化)引出大阳舞Sumedang的传承领域。社会学的方法是通过群体本身的教学方式来有意地进行个体的形成过程。研究程序是基于文献综述,数据收集,访谈和数据分析阶段。研究结果得出结论,非学术和学术团体相互关联,授权进行一个矛盾的保护计划。非学术界人士坚持保护,而学术界人士则致力于振兴甚至创新。由此可见,大阳舞风格的存在对苏迈当在保持动态性与稳定性之间的平衡提出了要求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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