PARAGRAPHEMIC MEANS IN CONSTRUING AUTHOR’S GENDER IDENTITY

Олена Олександрівна Тучкова
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Abstract

Introduction. One of the tasks of modern gender linguistics is to reveal non-verbalmeans that help to construe gender distinctions of the character and the image of the authoras well. Studying the critical literature concerning such aspects as the image of the author,implied author, author and narrator proved the actuality of the subject of the given investigation.Critical works’ analysis showed that this facet has not been studied well, there are still a lot ofgaps, as for instance, non-verbal means of author’s image construing. Purpose. The paper aimsto reveal paragraphemic means used by the women writers in French autobiographical novelsand suggest narrative and pragmatic facet of author’s gender identity construing in Frenchautobiographical novels written by women writers. Methods. To define the functions ofparagraphemic means in author’s gender identity construing the investigation is methodologicallygrounded on narrative, pragmatic and stylistic analysis. Results: The paper singles out andclassifies the group of paragraphemic means which help to construe author’s gender identityin French autobiographical novel written by women-writers. Dominant place among such meansbelongs to the pictures breaking the narrative of the novel, the size of narrative, italic meansof accentuating the author’s intention and numbering the abstracts. Conclusion. Paragraphemicsis applied facet in linguistics that studies graphical text organization and the functions of nonverbal means in revealing the author’s intentions. Being restricted in their proper meaningsnon-verbal means bound semantic variety of phrase or supra-phrasal units. They introducesome information in that way as it is supposed to be decoded by the reader. Non-verbal meanshelp to make the image of the author and construe his/her gender identity.
段落性是建构作者性别认同的手段
介绍。现代性别语言学的任务之一是揭示非语言手段,以帮助解释人物和作者形象的性别差异。从作者形象、隐含作者、作者和叙述者等方面对批评文学进行研究,证明了研究对象的现实性。批评作品的分析表明,这方面的研究还不够充分,还存在很多空白,例如作者形象建构的非语言手段。目的。本文旨在揭示法国女作家在自传体小说中使用的段落手法,并从叙事和语用两个方面探讨法国女作家自传体小说中作者性别认同的建构。方法。为了明确段落手段在作者性别认同建构中的作用,本研究在方法论上以叙事分析、语用分析和文体分析为基础。结果:本文对法国女作家自传体小说中作者性别认同的段落手段组进行了梳理和分类。在这些手段中,占主导地位的是打破小说叙事的图片,叙事的大小,强调作者意图的斜体手段和对摘要的编号。结论。段落学是语言学研究图形文本组织和非语言手段在揭示作者意图中的作用的一个应用领域。非言语手段受其固有意义的限制,受短语或短语超单元语义变化的限制。他们以这种方式介绍一些信息,因为它应该被读者解码。非语言有助于塑造作者的形象,解释作者的性别认同。
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