Arts Education in the Development of the Personality of the Next Generation of Future Music Teachers: History and Modernity

O. Tkachenko
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引用次数: 0

Abstract

The article focuses on the problem of the future music teacher’s comprehensive personal development, which is the basis of their professional competence, pedagogical skill and spiritual culture, relevant to modern education. The purpose of the study is a retrospective and comparative analysis of the problem of comprehensive personal development of the future music art teacher of a new generation, based on the historical and pedagogical experience of the organization of art education in the collegiums of Left-bank Ukraine (18th-the early 19th centuries), as they laid the groundwork for the formation and development of general and professional art education; to illustrate the practical implementation of the historical and pedagogical experience of art education organization in the collegiums of Left-bank Ukraine (18th-the early 19th centuries) on the comprehensive development of the future music teacher personality in higher educational institutions. Methods. The research methods used by the author were analysis, synthesis, systematisation, comparison and generalisation. Results. Modernization of art education in Ukraine aims to improve the spiritual and creative development of personality, humanization and humanitarization of educational process in educational institutions of different types. Consequently, this requires searching for optimal approaches to the organization of art education in higher educational establishments, which would focus on the comprehensive development and professional training of future music teachers as carriers and transmitters of national culture. Conclusions. The author has noted that the analysis and creative insight into the historical and pedagogical experience of art education organization in the collegiums of the Left Bank Ukraine (18th-the early 19th centuries) determines the possibility of its use in modern higher educational institutions for comprehensive individual development of future music art teachers, which is the basis of their professional competence, teaching skills and spiritual culture. The author has presented the transformation of progressive ideas of historical and pedagogical experience of the organization of art education in the collegiums of Left-bank Ukraine (18th-the early 19th centuries). Moreover, the author has defined the forms of organizing educational and extracurricular cultural and artistic activities of future music teachers at higher pedagogical educational institutions, namely: 1) individual classes in «Additional musical instrument», «Voice production», «Choir conducting», «Main musical instrument» and group (practical) classes in artistic disciplines, which are the part of the educational program «Secondary education (Musical art)» on the training of future music teachers; 2) staging and theatricalization, which is implemented in the course of the educational discipline «Staging a children's musical performance» and organizing creative student theater groups to perform theatrical actions: 3) vocal and choral groups in an educational institution: 4) extracurricular cultural and artistic activities.
下一代未来音乐教师个性发展中的艺术教育:历史与现代
未来音乐教师的个人全面发展是其专业能力、教学技能和精神文化的基础,与现代教育息息相关。本研究以乌克兰左岸大学(18世纪至19世纪初)艺术教育组织的历史与教学经验为基础,对未来新一代音乐艺术教师的全面个人发展问题进行回顾与比较分析,因为它们为普通与专业艺术教育的形成与发展奠定了基础;阐述乌克兰左岸高校(18世纪至19世纪初)艺术教育组织的历史与教学经验在高等院校未来音乐教师人格全面发展中的实践运用。方法。作者采用了分析、综合、系统化、比较和概括的研究方法。结果。乌克兰艺术教育现代化旨在提高不同类型教育机构个性的精神和创造性发展,教育过程的人性化和人性化。因此,这就需要寻找高等院校艺术教育组织的最佳途径,将重点放在作为民族文化载体和传播者的未来音乐教师的全面发展和专业培训上。结论。作者指出,对乌克兰左岸高校(18世纪至19世纪初)艺术教育组织的历史和教学经验的分析和创造性洞察,决定了其在现代高等教育机构中应用的可能性,以促进未来音乐艺术教师的全面个人发展,这是他们的专业能力,教学技能和精神文化的基础。作者介绍了乌克兰左岸大学(18世纪至19世纪初)艺术教育组织的历史和教学经验的进步思想的转变。此外,笔者还界定了高等师范院校未来音乐教师的教育与课外文化艺术活动的组织形式,即:1)“附加乐器”、“声音制作”、“合唱团指挥”、“主要乐器”的个别课程和艺术学科的团体(实践)课程,这些课程是“中等教育(音乐艺术)”教育计划的一部分,旨在培养未来的音乐教师;2)舞台和戏剧化,在教育学科“儿童音乐表演”课程中实施,组织有创意的学生戏剧团体表演戏剧动作;3)教育机构的声乐和合唱团体;4)课外文化和艺术活动。
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