منعطفات الخطاب الأدبي بين فرضية التشكيل وفعالية التأويل : قصيدة تنسى كأنك لم تكن لمحمود درويش أنموذجاً

حفيظ ملواني حفيظ ملواني
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Abstract

The premise of this scientific study is that the literary discourse did not take place at one turn, but on several turns that have always changed its form, destination, and even its function. It is characterized by rationality and sometimes irrationality, which led to a ripple of ideas and conflicting theories, And even contradictory theses, resulting problematic perceptions; which need explanation, analysis and even double abusive interpretation. According to this literary and interlocking context , the quest is achieved by presenting a reading in the background of forming the literary discourse on the tone of knowledge within the scope of three questions that are divided between rhetoric; poetic and interpretation, in the form of twists starting from the stage of verbal; artistic and semantic formation; passing by the  reading space where new turns will be revealed and caused by the act of interpretation itself,according to the poetic model present of Mahmoud Darwish .
在结构假设和解释效果之间的文论转折:一首被遗忘的诗,好像马穆德·达尔维什并不是一个榜样。
这一科学研究的前提是,文学话语不是在一个转折点上发生的,而是在几个转折点上发生的,这些转折点总是改变着它的形式、目的地,甚至它的功能。它的特点是理性,有时非理性,导致思想的涟漪和理论的冲突,甚至矛盾的论点,造成问题的认识;这需要解释,分析,甚至双重滥用解释。根据这种文学和环环相扣的语境,在形成文学话语的背景下,通过在三个问题的范围内呈现一种阅读来实现这一追求,这三个问题分为修辞;诗与释,以曲折的形式从言语阶段开始;艺术与语义的形成;通过阅读空间,根据马哈茂德·达尔维什呈现的诗歌模式,新的转折将被揭示并由解释行为本身引起。
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