ONTOLOGY OF THE UKRAINIAN WRITER-EXILE IN MEMOIRS BY ULAS SAMCHUK “FIVE PAST ELEVEN: NOTES AT A RUN”

Alexander Podvyshennyi
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Abstract

The article analyses the little-studied part of the prose legacy of Ulas Samchuk — a book of memoirs ‘Five past twelve: notes at a run’. Ontological approach to the text allowes to outline the world-wide changes of the writer in the conditions of war and dehumanization of society. With the help of the imagology method, the peculiarities of Ulas Samchuk’s attempt to understand the Other (German) who became a victim of Nazi ideology, tolerance of racial superiority, but ultimately defeated. The writer relies on Western European philosophy, in particular, the ideas of O. Spengler, K. Jaspers, J. Ortega y Gasset, which refers to the decline of western culture in connection with the development of civilization, which seeks for hegemony over mankind. An important role is devoted to reflections on the role and place of the Ukrainian nation in the transcendental epic of redistribution of the world.
乌克兰作家的本体论——流亡者回忆录乌拉斯·萨姆丘克《十一点过五分:连续笔记》
这篇文章分析了乌拉斯·萨姆楚克的散文遗产中很少被研究的部分——一本回忆录《十二点过五分:奔跑的笔记》。本体论的方法,以文本允许概述的作家在战争和非人化的社会条件下的世界范围的变化。借助意象学的方法,乌拉斯·萨姆楚克试图理解他者(德国人)的特殊性,他者成为纳粹意识形态的受害者,容忍种族优越感,但最终被击败。作者引用了西欧哲学,特别是斯宾格勒、雅斯贝尔斯、奥尔特加和加塞特的思想,认为西方文化的衰落与文明的发展联系在一起,西方文化寻求对人类的霸权。一个重要的角色是致力于反思乌克兰民族在重新分配世界的先验史诗中的作用和地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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