„Świat cały jest sceną…”. Szekspirowskie aluzje w „Hamlet, Revenge!” Michaela Innesa

J. Kokot
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Abstract

While some of the golden age detective novels tend to rather concentrate on the social background or the psychology of the characters, thus utilizing the novel of manners conventions (Agatha Christie, Dorothy Sayers, Margery Allingham, Martha Grimes), others focus on the criminal puzzle itself, presenting it as a challenge both to the fictional detective and to the reader. This is the case with Michael Innes’s novel, where the context of the murder is a performance of Shakespeare’s Hamlet, while quotations from this and other Shakespeare’s plays function as clues. The paper explores both the utilization of Shakespeare’s play as a code to decipher the puzzle, as well as the theatralization of the presented reality itself, turning — even as viewed from the internal perspective — into a stage on which a drama is played.
一些黄金时代的侦探小说倾向于关注人物的社会背景或心理,从而利用小说的礼仪惯例(阿加莎·克里斯蒂,多萝西·塞耶斯,玛杰里·阿林厄姆,玛莎·格莱姆斯),而另一些则关注犯罪难题本身,将其作为对虚构侦探和读者的挑战。迈克尔·英纳斯的小说就是这样,谋杀的背景是莎士比亚的《哈姆雷特》的表演,而从这部戏剧和其他莎士比亚戏剧中引用的内容作为线索。本文探讨了利用莎士比亚的戏剧作为破解谜题的密码,以及将呈现的现实本身戏剧化,甚至从内部角度来看,将其变成一个戏剧上演的舞台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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