DISTOPIA KONDISI LIBERALISME DALAM FILM TIGA (Studi Semiotika Roland Barthes Tentang Distopia Liberalisme di Jakarta dalam Film Tiga)

Tuty Mutiah, Dhefine Armelsa, Faqihar Risyan, Agung Raharjo
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Abstract

Dystopia in Film Tiga Liberalism Conditions (Roland Barthes Semiotics Studies about Dystopia on Liberalism in Jakarta in Film Tiga). This study goals is to determine the meaning of dystopian condition of Jakarta in the Film Tiga through the sign, signifier and signified. Three films is a film that adopts Liberal describe the depravity of Jakarta twenty years in the future in 2036. The method used semiotic analysis of Roland 2 Bartes.The object of research is the Film Tiga were directed by Anggy Umbara and classified through five objects dystopia condition of Jakarta, dystopian condition of the state apparatus, dystopia conditions of religion, dystopia technology, and dystopias journalism to find signs and markers and meaning at the level of the first and second, the denotation, connotations and myths.These results indicate that the situation of Jakarta transformed into an increasingly metropolis marked by the increasing number of high-rise buildings, as well as demonstrations marked depicted in 2015 until 2025. In 2026, the revolution ended and became State Liberalism. Changes in the State apparatus are characterized by the wish to dominate the world to create freedom in the face of the earth. One is to get rid of religion, by damaging the face of religion. State Officials do havoc with bring into conflict of the Religion. Changes religion marked by shifting religious values, is marked by religion becomes a thing wrong choice. The lack of freedom is depicted in this film, must be eradicated in order to function in a Liberal to be ideal. Technological changes are interpreted as changes in technology that convey information quickly, as well as the ability to hacked That meaning is characterized by technological devices that undergo changes such as, mobile phones, flash, televisions, doors, computers, laptops and so forth is now transformed into transparent. The changes meant the journalistic agenda setting media that is still happening characterized by lack of freedom of the press.
《第三部电影》(罗兰·巴特对雅加达自由主义反乌托邦的研究)
《自由主义条件》(罗兰·巴特的符号学研究:《自由主义在雅加达》中的反乌托邦)。本研究的目的是通过符号、能指和所指来确定电影《Tiga》中雅加达反乌托邦状态的意义。三部电影是一部采用自由主义的电影,描述了二十年后的2036年雅加达的堕落。方法采用符号学分析罗兰二巴特尔。本文以Anggy Umbara导演的电影《Tiga》为研究对象,通过雅加达的反乌托邦状态、国家机器的反乌托邦状态、宗教的反乌托邦状态、反乌托邦技术、反乌托邦新闻五个对象进行分类,在前一个和第二个、外延、内涵和神话层面寻找符号、标记和意义。这些结果表明,雅加达转变为一个日益大都市的情况,标志着越来越多的高层建筑,以及2015年至2025年所描绘的示威活动。2026年,革命结束,成为国家自由主义。国家机器的变化的特点是希望统治世界,在地球上创造自由。一种是通过破坏宗教的面貌来摆脱宗教。国家官员大肆破坏宗教冲突。改变宗教标志着改变宗教价值观,被宗教标志着成为一个错误的选择。在这部电影中所描绘的缺乏自由,必须被根除,才能在一个自由的理想中发挥作用。技术变化被解释为快速传递信息的技术变化,以及被黑客攻击的能力。这一含义的特点是,经过变化的技术设备,如手机、闪存、电视、门、电脑、笔记本电脑等,现在都变成了透明的。这一变化意味着目前仍在发生的以缺乏新闻自由为特征的新闻议程设置媒体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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