Analyze of Dramaturgy to Self Concept of Pupil TMI Al-Amien Prenduan (Erving Gofman’s Theory Analysis)

Khoirun Nisak, Ifa Dotus Salimah, Amar Ma’ruf, S. Syaifuddin
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Abstract

Human social life always be related with society interacting anywhere, anytime, and their lives present their selves as a theatre performers whose appearance can change at any time depending on the context. It happens in human life, whoever we are, and in any condition, we always interact in symbols. Maybe without us realizing it, it all happens in every "scene", in a "play" of life. This research uses descriptive analysis, using an interpretive paradigm. By starting from the phenomenon being studied to produce a theory, the goal is used to understand the meaning of the experience of a person, group. But education that can be drawn from the vile events that a person has gone through. By analyzing from sources that are directly on the object and relevance to research. Reviewing the self-presentations displayed by the students by looking at the backstage and front stage. The results of this analysis, the students of TMI Al-Amien Prenduan in their daily lives can manage the two allocations of the place, they know their position how they must display their character setting in front of the supervisors of the cottage, and position their original character when behind the supervisor of the cottage when they are free from supervision.
戏剧对小学生自我概念的分析(欧文·戈夫曼的理论分析)
人类的社会生活总是与社会随时随地的互动联系在一起,他们的生活以戏剧演员的身份呈现自己,他们的外表随时会随着语境的变化而变化。它发生在人类生活中,无论我们是谁,在任何情况下,我们总是在符号中互动。也许我们没有意识到,这一切都发生在生活的每一个“场景”中,在一出“戏”中。本研究采用描述性分析,采用解释性范式。通过从被研究的现象出发产生理论,目标是用来理解一个人、一个群体的经历的意义。但是教育可以从一个人所经历的邪恶事件中汲取。通过对来源的分析,直接对对象和相关性进行研究。从后台和前台两个角度回顾学生的自我展示。分析的结果表明,TMI Al-Amien Prenduan的学生在日常生活中能够管理好场地的两种分配,他们知道自己的位置应该如何在小屋的管理者面前展示自己的性格设定,在没有监督的情况下将自己的原始性格定位在小屋的管理者身后。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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