"AL...." in the Superscriptions of the Psalms

H. G. May
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引用次数: 1

Abstract

The variety of interpretations given to this rubric is some indication of the complexity of the problems involved and the difficulty of reaching a completely satisfactory conclusion.' It is hoped that this study will bring us at least one step closer to such a conclusion. It is evident to most recent commentators that this and other rubrics in the psalm superscriptions bear some sort of relation to the use of the Psalms in the temple; unanimity may perhaps be reached on the interpretation of ,:=Z2 as a reference to stringed instruments, but even the familiar MY ub, "to the director" (?), is a subject of controversy.3 We may assume that the significance of " cal .... " was known in at least the early part of the post-Exilic period, for we find it attached to postExilic psalms;4 but by the time of the Septuagint and later versions there appears to be confusion with regard to its interpretation and sig-
"AL...."在《诗篇》的附文里
对这个标题的各种解释表明了所涉及问题的复杂性,以及得出一个完全令人满意的结论的难度。”希望这项研究至少能使我们离这样的结论更近一步。这是很明显的,最近的注释,这和其他的规则在诗篇的题词有某种关系,在圣殿中使用诗篇;对于,:=Z2作为弦乐器的解释,可能会达成一致意见,但即使是我们熟悉的MY ub, "to the director"(?),也是一个有争议的话题我们可以假设“cal ....”的意义至少在后流放时期的早期,人们就知道了这句话,因为我们发现它附属于后流放时期的诗篇;4但到了七十士译本和后来的版本,它的解释和符号似乎出现了混乱
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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