Genesis of cultural landscape

L. Martyshova
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Abstract

The article highlights that the modern idea of the cultural landscape is ambiguous. Today, there are three fundamentally different interpretations of the term "cultural landscape", based on different dominant factors: natural, cultural or information environment. Thus, some researchers adhere to the traditional approach and define a cultural landscape as an anthropogenic landscape, i.e. a natural landscape of a place, changed by a person according to a certain programme, which has high aesthetic and functional qualities. The other approach is based on the understanding of a cultural landscape as a certain area that has been a place of residence for a certain group of people who are carriers of specific cultural values for a long historical period. Most often, these groups are ethnic or religious communities. There is also an understanding of this term as an informational one, based on the idea of the active role of intellectual and spiritual activity in shaping the cultural landscape; it is important to emphasize that cultural, spiritual and intellectual values that are preserved and transmitted from one generation of people to another in the form of information not only determine the formation and development of the cultural landscape, but are also part of it, being influenced by other, material components of the landscape. The complexity and ambiguity of the modern world determines a certain attitude towards the environment, requiring a new understanding and comprehension of it. Architecture and urban planning is a field that covers all manifestations of human activity, where the most important thing is that it is a space for modeling the artificial environment, which is an integral part of the holistic world. The environment is a holistic, organized space that constantly surrounds a person, with the help of architecture actively and constantly influencing the unified process of forming this twofold structure (the architectural environment models the natural one, combining into a single whole). By creating an artificial environment for human life, architecture has a multifaceted impact on people, with the strongest influence being through visual perception, as human activity is always associated with different forms of perception of the environment. A work of architecture is an idea (something fictional, imaginary) that is "dressed" in a material form in the real space of the city and reproduces the world and its structure, a mechanism for translating myths and fictions caused by modern conditions into the physical dimension, where fictions become reality through the play of forms, images and meanings.
文化景观的成因
文章强调了现代文化景观观念的模糊性。今天,基于不同的主导因素,对“文化景观”一词有三种根本不同的解释:自然、文化或信息环境。因此,一些研究者坚持传统的方法,将文化景观定义为人为景观,即一个地方的自然景观,由一个人按照一定的程序改变,具有很高的审美和功能品质。另一种方法是基于对文化景观的理解,即在很长一段历史时期内,特定人群作为特定文化价值观的载体居住的特定区域。大多数情况下,这些群体是种族或宗教社区。基于智力和精神活动在塑造文化景观中的积极作用这一观点,对这个术语也有一种信息理解;必须强调的是,以信息的形式保存下来并代代相传的文化、精神和智力价值不仅决定着文化景观的形成和发展,而且受到景观的其他物质组成部分的影响,也是文化景观的一部分。现代世界的复杂性和模糊性决定了人们对待环境的某种态度,要求人们对环境有新的认识和理解。建筑与城市规划是一个涵盖人类活动所有表现形式的领域,其中最重要的是它是对人工环境进行建模的空间,是整体世界不可分割的一部分。环境是一个整体的、有组织的空间,它不断地围绕着人,建筑积极地、不断地影响着形成这种双重结构的统一过程(建筑环境模仿自然环境,结合成一个整体)。通过为人类生活创造人工环境,建筑对人的影响是多方面的,其中最强烈的影响是通过视觉感知,因为人类活动总是与不同形式的环境感知相关联。建筑作品是一种观念(某种虚构的、想象的东西),它在城市的真实空间中以物质形式“装扮”,再现世界及其结构,是一种将现代条件所导致的神话和虚构转化为物理维度的机制,虚构通过形式、形象和意义的游戏成为现实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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