{"title":"From Dirty Mind to Dirty Computer: Prince’s Profound Influence on Janelle Monáe","authors":"Natalie Clifford","doi":"10.5325/ampamermusipers.2.1.0080","DOIUrl":null,"url":null,"abstract":"\n I argue that the groundwork Prince laid in his first decade created a foundation for queer and gender expansive Black artists like Janelle Monáe to be successful. First, I explore how Prince and Monáe center sex positivity and pleasure in their respective work. Second, I highlight their shared belief in artists’ responsibility to reflect the times politically, as Nina Simone so famously stated. Third, I illuminate how both artists insist upon navigating society through pathways grounded in opposition to racial capitalism, with a vision of how we can collectively build a more just world. In this third section, I focus on adrienne maree brown’s book Pleasure Activism: The Politics of Feeling Good. Regarding methodology, I analyze lyrics, imagery, and historical context from both artists’ albums. This interdisciplinary exploration is valuable to artist-activists within critical race studies, media studies, gender and sexuality studies, and anyone dedicated to preserving the legacy of Prince.","PeriodicalId":339233,"journal":{"name":"AMP: American Music Perspectives","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMP: American Music Perspectives","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/ampamermusipers.2.1.0080","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
I argue that the groundwork Prince laid in his first decade created a foundation for queer and gender expansive Black artists like Janelle Monáe to be successful. First, I explore how Prince and Monáe center sex positivity and pleasure in their respective work. Second, I highlight their shared belief in artists’ responsibility to reflect the times politically, as Nina Simone so famously stated. Third, I illuminate how both artists insist upon navigating society through pathways grounded in opposition to racial capitalism, with a vision of how we can collectively build a more just world. In this third section, I focus on adrienne maree brown’s book Pleasure Activism: The Politics of Feeling Good. Regarding methodology, I analyze lyrics, imagery, and historical context from both artists’ albums. This interdisciplinary exploration is valuable to artist-activists within critical race studies, media studies, gender and sexuality studies, and anyone dedicated to preserving the legacy of Prince.