Divulging the Meanings behind Being neither Human nor Animal in Haruki Murakami's "Confessions of a Shinagawa Monkey"

S. Jarrar, I. Al-Omoush
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Abstract

This paper divulges the different meanings of the seemingly meaningless surrealist Haruki Murakami's “Confessions of a Shinagawa Monkey” (2020). The decision to use an anthropomorphic protagonist in the narrative is crucial and loaded with symbolism. It can be interpreted as an account of workplace abuse, racism and discrimination or as a story about identity conflict, with the monkey body representing otherness. The paper illuminates the connection between identity crisis and alienation as it is portrayed in "Confessions of a Shinagawa Monkey". In the event that Shinagawa Monkey feels rejected and alienated, this is when alienation occurs. The analysis is conducted within the scope of Postcolonialism and Marxism. The paper is significant as it is the first to explore such topics in Murakami's “Confessions of a Shinagawa Monkey.” This paper's goal is to alter society's behavior to lessen discrimination that is currently on the rise. This paper embraces three main themes that appear in "Confessions of a Shinagawa Monkey" (2020). The themes concern the biased attitudes towards different races, the theme of identity conflict, and alienation. This paper exemplifies a critical reading of a multidimensional short story and sets the path for further study along these lines.
从村上春树的《品川猴子的自白》看“非人非兽”背后的意义
本文揭示了村上春树看似毫无意义的超现实主义作品《品川猴子的自白》(2020)的不同含义。在叙事中使用拟人化主角的决定是至关重要的,而且充满了象征意义。它可以被解释为对工作场所虐待、种族主义和歧视的描述,也可以被解释为一个关于身份冲突的故事,猴子的身体代表着他者。本文阐述了《品川猴子的自白》中所描绘的身份危机与异化之间的联系。当品川猴感到被拒绝和被疏远时,这就是异化发生的时候。分析是在后殖民主义和马克思主义的范围内进行的。这篇论文意义重大,因为它是村上春树的《品川猴子的自白》中首次探讨此类话题。本文的目标是改变社会的行为,以减少目前正在上升的歧视。本文包含了《品川猴子的自白》(2020)中的三个主题。主题涉及对不同种族的偏见态度,主题是身份冲突和异化。本文举例说明了一篇多维度短篇小说的批判性阅读,并为进一步研究奠定了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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