Analysing Gautham Vasudev Menon as an Auteur

S. M
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Abstract

This study examines the commonality and identity in a few chosen films in order to demonstrate the limitations of “Auteur Theory.” The research presents the director’s personality in a distinctive way. The “Auteur Theory” is a French film theory that examines the character, skill, and inner meaning in movies that deal with the concept of Auteur notes. The director should emphasise on their unique aesthetic, point of view, methods, creativity, personality, and originality when crafting a film because these elements add fascination. According to the “Auteur Theory,” a director and a writer are on an equal footing because they both have unique artistic styles. The study paper examines the personal style of filmmaker Gautham Vasudev Menon in Cop trilogy films.
分析作为导演的高瑟姆·瓦苏德夫·梅农
本研究选取了几部电影,考察其共性与同一性,以证明“导演理论”的局限性。该研究以一种独特的方式呈现了导演的个性。“导演理论”(Auteur Theory)是一种法国电影理论,主要研究与导演笔记概念有关的电影的性格、技巧和内在意义。导演在制作电影时应该强调他们独特的审美、观点、方法、创造力、个性和原创性,因为这些元素增加了魅力。根据“作者论”,导演和作家是平等的,因为他们都有自己独特的艺术风格。研究论文考察了电影制作人Gautham Vasudev Menon在《警察》三部曲中的个人风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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