Cradle-to-Cradle Denim: Fringed Dress and Poncho Design

F. Hakeem, Jongeun Kim
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引用次数: 0

Abstract

There are only a limited number of examples of sustainable fashion practices utilizing creative manipulative techniques that can enhance a product’s quality in consideration of functional, expressive, and aesthetic aspects to revitalize the discarded clothing and reduce waste. As Parsons (2015) stated, some contemporary design scholars consider that applying techniques of manipulating fabric in designing garments constitute a way to eliminate fabric waste. The purpose of this design was to revitalize discarded clothing by adding value through upcycling while producing a sustainable novel design made with secondhand denim. The inspiration for this design was previous contemporary works of upcycling denim and 3D texture created by professional designers such as Issey Miyake and Junya Watanabe. The structural reconstruction method involved changing the material’s identity by manipulating fabric via the application of surface design techniques, such as North American smocking, weaving, fringing, and laddering to create three-dimensional texture (Wolff, 1996).
从摇篮到摇篮的牛仔:流苏裙和雨披设计
可持续时尚实践的例子数量有限,利用创造性的操作技术可以提高产品的质量,同时考虑到功能、表现力和美学方面,从而使废弃的衣服重新焕发活力,减少浪费。正如Parsons(2015)所说,一些当代设计学者认为,在服装设计中应用操纵面料的技术是消除面料浪费的一种方式。这个设计的目的是通过升级回收来增加废弃服装的价值,同时用二手牛仔布制作可持续的新颖设计。这个设计的灵感来自于三宅一生和渡边淳弥等专业设计师之前的当代作品,这些作品采用了升级再利用的牛仔布和3D纹理。结构重建方法包括通过应用表面设计技术,如北美罩衫、编织、流苏和阶梯,通过操纵织物来改变材料的特性,以创造三维纹理(Wolff, 1996)。
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