Cesaire's Tempest Writes Back to the Empire

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Abstract

Aimé Césaire, who lived the experience of colonialism, wrote back to Shakespeare’s play The Tempest in a play of his own, which he called A Tempest. Unlike notions of A Tempest as a simplistic writing back, the current research reveals A Tempest as a sophisticated play in which Césaire uses his own creative methods, some of which incorporate the colonizer and others the colonized, to write back to the Empire which Shakespeare represents well and reflects. This research performs a deep analysis of A Tempest, revealing the voice of the Other as enabled; arguing with and disabling The Tempest’s deep bias in relation to the issue of colonialism, and therefore broadening the umbrella of postcolonial thought and discourse, which is welcoming to original methods of writing back. The research reveals Césaire’s practice of transformative methods of writing back, some of which focus on the colonizer and some of which focus on the colonized. The writing back method is achieved by analyzing A Tempest closely— revealing not only the involvement of the colonizer but surprisingly the colonized in the colonizing agenda. In addition to that, new motives of the colonizer’s practices are exposed. On another level, revealing the narrative through the colonized, about what happened and between whom, is the primary method by which the colonized gains back his legitimate power and ownership. Keywords: Oppression, Colonialism, Tempest, Writing Back, Colonizer, Colonized.
凯撒的《暴风雨》给帝国的回信
经历过殖民主义的艾姆斯·卡萨伊在自己的剧本《暴风雨》中回顾了莎士比亚的戏剧《暴风雨》。目前的研究表明,《暴风雨》是一部复杂的戏剧,在这部戏剧中,csamsaire用他自己的创作方法,其中一些结合了殖民者和被殖民者,来写回莎士比亚很好地代表和反映的帝国。这项研究对《暴风雨》进行了深入的分析,揭示了他者的声音;对《暴风雨》在殖民主义问题上的深刻偏见进行了论证和否定,从而扩大了后殖民思想和话语的范围,这是欢迎原始写作方法的回归。这项研究揭示了csamaire的写作方法的变革,其中一些侧重于殖民者,而另一些侧重于被殖民者。通过对《暴风雨》的深入分析,不仅揭示了殖民者的参与,而且令人惊讶的是,被殖民者也参与了殖民议程。除此之外,还暴露了殖民者的新动机。在另一个层面上,通过被殖民者揭示故事,讲述发生了什么,发生在谁之间,是被殖民者重新获得合法权力和所有权的主要方法。关键词:压迫,殖民主义,暴风雨,回信,殖民者,被殖民。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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