Analysis of the Performance of Ludrukan Nom-noman Tjap Arek Soeroboio (LUNTAS) in the Legend of Sawung Kampret

Syina Dalila, Arif Hidajad
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Abstract

LUNTAS (Ludrukan Nom-Noman Tjap Arek Soerrobojo) is one of the groups that preserves ludruk by performing Ludrukan in order to be accepted by the community, especially millennials in Surabaya. The authors are interested in reviewing LUNTAS because of the uniqueness that stands out in LUNTAS compared to other Ludruk, namely the form of performance that is not stuck with the structure in general. This study uses a qualitative descriptive method with data collection techniques used are document studies in the form of video performances, literature studies related to the theme of the study, and online interviews. The researcher reviews in detail the existing facts with data obtained from the LUNTAS coordinator. This paper examines how the form of LUNTAS performance in the play Legenda Sawung Kampret, and how LUNTAS with its performance is viewed from the point of view of the players and the audience of the show. The results of this study indicate that the form of LUNTAS performances is not tied to the structure of ludruk performances in general, because LUNTAS seeks to adapt to the community environment by maximizing the capabilities of existing human resources. In addition, LUNTAS can be well received by all levels of society.
LUNTAS (Ludrukan Nom-Noman Tjap Arek Soerrobojo)是其中一个通过表演Ludrukan来保存ludruk的团体,以被社区接受,尤其是泗水的千禧一代。作者之所以有兴趣回顾LUNTAS,是因为LUNTAS与其他Ludruk相比有其独特之处,即表现形式不受一般结构的限制。本研究采用定性描述方法,数据收集技术采用录像表演形式的文献研究、与研究主题相关的文献研究和在线访谈。研究人员用从LUNTAS协调员获得的数据详细审查了现有的事实。本文考察了《传说》中LUNTAS的表演形式,以及如何从剧中演员和观众的角度来看待LUNTAS的表演。本研究的结果表明,LUNTAS的表演形式与一般的ludruk表演结构无关,因为LUNTAS寻求通过最大化现有人力资源的能力来适应社区环境。此外,LUNTAS还受到社会各阶层的欢迎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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