PHOTOGRAPHY: THE POTENTIAL OF IMAGE AS ILLUSTRATION TOOL IN CHILDREN'S LITERATURE BOOKS

Ludmila Magalhães Naves, Ilsa do Carmo Vieira Goulart
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Abstract

From the conception of photographic art as a visual text, which narrates, informs and promotes interactions, this article aims to reflect on the potential of photography as an illustrative tool. Thus, it is understood that a literary work illustrated from photographic images allows the expansion of interpretative and dialogical limits between the reader and the work. Adele Enersen's work When my baby dreams was chosen for the investigation, a narrative composed of scenarios created manually using homemade artifacts and captured through the photographic record. Under a qualitative approach, the bibliographic research methodology was chosen, which took place through an interpretative analysis that allowed us to observe the means and instruments used in the composition of the work. As a theoretical basis, it relies on the studies of Santaella (2012), Flusser (2000) and Manguel (2001) on materiality, photography and literature as well as other authors that contemplate the themes. In this perspective, we seek to expand the principles of photographic materiality and identify the potential of its use as a literary illustration. It is concluded that storytelling combined with photographic illustrations contributes significantly to the reading comprehension and involvement of the reader, highlighting the materiality of the photographic image as an important characteristic of the literary illustration technique.
摄影:影像在儿童文学书籍中作为插画工具的潜力
从摄影艺术作为一种视觉文本的概念出发,叙述、告知和促进互动,本文旨在反思摄影作为一种说明工具的潜力。因此,可以理解的是,由摄影图像说明的文学作品允许读者和作品之间的解释和对话限制的扩展。阿黛尔·埃尔森的作品《当我的婴儿梦》被选为调查对象,这是一个由手工制作的手工场景组成的叙事,通过摄影记录拍摄。在定性方法下,选择了书目研究方法,这是通过解释性分析进行的,这使我们能够观察到在作品组成中使用的手段和工具。作为理论基础,它依赖于Santaella(2012)、Flusser(2000)和Manguel(2001)对物质性、摄影和文学的研究,以及其他思考这些主题的作者。从这个角度来看,我们寻求扩展摄影材料的原则,并确定其作为文学插图使用的潜力。文章认为,讲故事与摄影插图相结合有助于读者的阅读理解和参与,突出了摄影图像的物质性,这是文学插图技术的一个重要特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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