{"title":"The ingredients of a successful atomic exhibition in Cold War Italy.","authors":"Donatella Germanese","doi":"10.1080/00033790.2022.2164794","DOIUrl":null,"url":null,"abstract":"<p><p>The organization of the mobile atomic exhibition, <i>Mostra Atomica</i>, designed by the United States Information Service to travel through Italy in 1954-55, had to meet technical, scientific, artistic, and political challenges. The head of the group in charge of the exhibition was architect Peter G. Harnden whose pedigree in the intelligence and training in architecture were an ideal match for leading the unit dedicated to exhibitions. The political sensitivity of the <i>Mostra Atomica</i> also required the intervention of the Italian Ministry of the Interior to guarantee safe mobility and secure shows. In every major town, American and British diplomats attended the local opening ceremony, while the very symbol of science diplomacy was Enrico Fermi, whose recorded message praised international cooperation. All in all, the USIS campaign promoting peaceful applications of nuclear physics was successful in reaching and involving Italian society. Visual and spatial aesthetics were particularly relevant: the geometrical design of the exposition rooms conveyed a strong sense of modernity that contrasted with the artistic heritage of Italian cities. The present article is based on archival files, newspaper reports, and photographs that document who was responsible for planning, setting up, and reporting this Cold War propaganda event.</p>","PeriodicalId":8086,"journal":{"name":"Annals of Science","volume":"80 1","pages":"10-37"},"PeriodicalIF":0.9000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annals of Science","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/00033790.2022.2164794","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
The organization of the mobile atomic exhibition, Mostra Atomica, designed by the United States Information Service to travel through Italy in 1954-55, had to meet technical, scientific, artistic, and political challenges. The head of the group in charge of the exhibition was architect Peter G. Harnden whose pedigree in the intelligence and training in architecture were an ideal match for leading the unit dedicated to exhibitions. The political sensitivity of the Mostra Atomica also required the intervention of the Italian Ministry of the Interior to guarantee safe mobility and secure shows. In every major town, American and British diplomats attended the local opening ceremony, while the very symbol of science diplomacy was Enrico Fermi, whose recorded message praised international cooperation. All in all, the USIS campaign promoting peaceful applications of nuclear physics was successful in reaching and involving Italian society. Visual and spatial aesthetics were particularly relevant: the geometrical design of the exposition rooms conveyed a strong sense of modernity that contrasted with the artistic heritage of Italian cities. The present article is based on archival files, newspaper reports, and photographs that document who was responsible for planning, setting up, and reporting this Cold War propaganda event.
由美国新闻处(United States Information Service)设计,于1954年至1955年在意大利各地举办的流动原子展Mostra Atomica,必须面对技术、科学、艺术和政治方面的挑战。负责展览的小组负责人是建筑师彼得·g·哈恩登(Peter G. Harnden),他在建筑方面的智慧和训练是领导这个致力于展览的单位的理想人选。Mostra Atomica的政治敏感性也需要意大利内政部的干预,以确保安全的流动性和安全的表演。在每个主要城镇,美国和英国的外交官都出席了当地的开幕式,而科学外交的真正象征是恩里科·费米,他的录音讲话赞扬了国际合作。总而言之,美国促进和平应用核物理的运动成功地影响和参与了意大利社会。视觉和空间美学特别相关:展览室的几何设计传达了强烈的现代感,与意大利城市的艺术遗产形成鲜明对比。本文基于档案文件、报纸报道和照片,这些文件记录了谁负责策划、设置和报道这一冷战宣传活动。
期刊介绍:
Annals of Science , launched in 1936, publishes work on the history of science, technology and medicine, covering developments from classical antiquity to the late 20th century. The Journal has a global reach, both in terms of the work that it publishes, and also in terms of its readership. The editors particularly welcome submissions from authors in Asia, Africa and South America.
Each issue contains research articles, and a comprehensive book reviews section, including essay reviews on a group of books on a broader level. Articles are published in both English and French, and the Journal welcomes proposals for special issues on relevant topics.
The Editors and Publisher are committed to supporting early career researchers, and award an annual prize to the best submission from current doctoral students, or those awarded a doctorate in the past four years.