一位音乐教师在COVID-19期间的混合式教学经历:韧性的自我民族志。

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Sean Beirnes, Clint Randles
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引用次数: 3

摘要

这个共同的民族志定性案例研究的目的是记录第一作者在COVID-19大流行期间在混合、面对面和在线同步的环境中教授普通音乐的经历。共同的自我民族志传达了一个实践教师的声音,通过在混合环境中教学和学习的技术方面的生活和工作,为实践音乐教师提供了建议和智慧。他的经历记录了技术如何被用作扩大学生经历的工具,并赋予他们在大流行之前不可能实现的创造力。对音乐教育的影响包括探索在大流行期间进行教学的教师的生活经历,重点关注技术、以学习者为中心的教学法和实践中的创造力介导的深刻变革的可能性和潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Music Teacher's Blended Teaching and Learning Experience during COVID-19: Autoethnography of Resilience.

The purpose of this co-autoethnographic qualitative case study was to chronicle the experiences of the first author as he taught general music in a blended, face-to-face, and online synchronous, environment during the COVID-19 pandemic. The co-autoethnography conveys a voice of a practicing teacher with advice and wisdom gained from living and working through the technological aspects of teaching and learning in a blended environment for practicing music teachers. His experiences chronicle how technology was used as a vehicle for amplifying the experiences of students and empowering them to creativities not possible before the pandemic. Implications for music education include exploring the stories of the lived experiences of teachers who taught through the pandemic with a focus on the possibilities and potentialities for profound change mediated by technology, learner-centered pedagogy, and creativities in practice.

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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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