创造性过程的中心:直觉、自动机流和童年逆境

Paula Thomson , S. Victoria Jaque
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引用次数: 1

摘要

那些声称创造力具有存在中心地位的人承认有必要从事创造性活动。本研究(n = 460)考察了创造性中心性与自利倾向流、三个直觉维度(推理、情感、整体)和不良童年经历(ace)之间的关系。结果表明,ace和直觉预测创造性中心性;然而,自持倾向流并不是显著的预测因子。高ACE组的创造性中心性显著高于无ACE组和低ACE组。创造性中心性与直觉的三个维度(推理、情感、整体)呈正相关。童年时期经历过大量逆境的人也会表现出更强烈的参与创造过程的欲望。研究结果表明,参与创造性过程不同于自动机的性格流体验。建议进一步研究直觉在创造性中心性中的作用,以及自心流与创造性中心性的区别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Centrality of the creative process: Intuition, autotelic flow, and childhood adversity

Individuals who claim that creativity has an existential centrality acknowledge a need to engage in creative activities. This study (n = 460) examined creative centrality in relationship to autotelic dispositional flow, the three intuition dimensions (inferential, affective, holistic), and adverse childhood experiences (ACEs). Results indicated that ACEs and intuition predicted creative centrality; however, autotelic dispositional flow was not a significant predictor. Creative centrality was significantly greater in the high ACE group compared to the no ACE and few ACE groups. Creative centrality is positively associated with the three dimensions of intuition (inferential, affective, holistic). Individuals with a history of substantial childhood adversity also identified increased desire to engage in the creative process. The findings suggest that engaging in the creative process differs from autotelic dispositional flow experiences. Further study is recommended to understand the role of intuition in creative centrality and how autotelic flow differs from creative centrality.

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