{"title":"权力下放后的英国小说:威廉·博伊德的烹饪艺术","authors":"D. Mcneill","doi":"10.21083/IRSS.V42I0.3622","DOIUrl":null,"url":null,"abstract":"Taking William Boyd's post-2000 novels as symptomatic of wider problems in British writing during the period of the break-up of Britain, this essay suggests that what looks, at first, like a simple collapse in Boyd's talent in fact has produced texts illuminating, in their limitations, the difficulties of British affiliation in the era of Britishness's ideological exhaustion. Boyd is, on this reading, an exemplary counter-example to the canon of self-consciously Scottish fiction more commonly studied in the years since 1979.","PeriodicalId":40214,"journal":{"name":"International Review of Scottish Studies","volume":"37 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2017-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"British Fictions after Devolution: William Boyd’s Culinary Arts\",\"authors\":\"D. Mcneill\",\"doi\":\"10.21083/IRSS.V42I0.3622\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking William Boyd's post-2000 novels as symptomatic of wider problems in British writing during the period of the break-up of Britain, this essay suggests that what looks, at first, like a simple collapse in Boyd's talent in fact has produced texts illuminating, in their limitations, the difficulties of British affiliation in the era of Britishness's ideological exhaustion. Boyd is, on this reading, an exemplary counter-example to the canon of self-consciously Scottish fiction more commonly studied in the years since 1979.\",\"PeriodicalId\":40214,\"journal\":{\"name\":\"International Review of Scottish Studies\",\"volume\":\"37 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2017-11-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Review of Scottish Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21083/IRSS.V42I0.3622\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Review of Scottish Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21083/IRSS.V42I0.3622","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
British Fictions after Devolution: William Boyd’s Culinary Arts
Taking William Boyd's post-2000 novels as symptomatic of wider problems in British writing during the period of the break-up of Britain, this essay suggests that what looks, at first, like a simple collapse in Boyd's talent in fact has produced texts illuminating, in their limitations, the difficulties of British affiliation in the era of Britishness's ideological exhaustion. Boyd is, on this reading, an exemplary counter-example to the canon of self-consciously Scottish fiction more commonly studied in the years since 1979.