Ágnes Balajthy
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摘要

本文对早期的三篇短篇小说(《阳台与白杨》;《悬崖之下》;“动物,人类”)通过Miklós Mészöly,揭示他们如何呈现人与动物之间关系的某些方面。细读文本的重点是人物对昆虫、牲畜或他们所谓的心爱宠物的思考是如何被叙事语言破坏、破坏和扩展的。我认为Mészöly的作品指出了人类和动物的共同特征是易逝,而没有试图驯化后者的差异性
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A lepke érintése
The paper offers a zoopoetic reading of three early short stories (“Balcony and Poplars”; “Under the Cliffs”; “Animals, Humans”) by Miklós Mészöly, exposing the way they present certain aspects of the relationship between humans and animals. The close reading of the texts focuses on how the characters’ reflections on insects, livestock or their supposedly beloved pets are undermined, destabilized and expanded by the language of the narration. I argue that Mészöly’s writings point to evanescence as a common trait shared by humans and animals without attempting to domesticate the latter’s otherness
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